If you have followed my blog for a while you surely must have noticed that there’s a certain white whale I am hunting for years now: an old-school D&D sandbox campaign. I’ve made several attempts to get one up and running, I switched around between various variants of the rules, sometimes abandoning D&D completely. Campaigns meant as sandboxes became more regular campaigns, and more often than not, I quickly burned out on running roleplaying games in general.
For years I have struggled with how the get things started. I either didn’t plan enough and relied on my improv skill alone or I overplanned and quickly felt overwhelmed, the fun draining out of me, like blood from a festering wound. But I think I finally found solutions to my problem. In his blog ChicagoWiz’s Games and his podcast The Dungeon Master’s Handbook he thoroughly explains his approach to old-school sandbox gaming and even provides us with countless campaign starters.
The idea behind his “Three Hexes Campaign Starters” is quite simple. You start things small. At first you come up with a short campaign idea. What is your world all about? Then you place a homebase (like a small town, keep, etc.) on your hex map. In addition to this you should come up with three interesting places to explore and place them onto the map adjacent to the homebase. This should give your players a couple of options on what to do next without overwhelming yourself of the players. Last but not least you should have three important NPCs ready: one where the party can buy new equipment and supplies, one where they can sell their loot and last but not least someone who helps them with acquiring new loot. That can be a patron providing them with incentive to explore the wilds beyond the homebase or it’s an old man sharing rumors and legends with them.
You can then expand on this by adding more hexes, more locations, more NPCs as needed. You don’t have to plan out more than what you can use in the next session. It also should provide enough options without paralyzing the players with too many option. If you want to learn more about Michael’s ideas on starting a starting a sandbox campaign, I highly recommend his post titled “Just Three Hexes”.
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This is a quick follow-up to my last post. I got in touch with Michael Shorten aka ChicagoWiz and asked him for advice on how to run old-school sandbox games. He pointed me towards the podcast he had been recording last year.
In the 17 episodes of “The Dungeon Master’s Handbook” he talks about how to run con games, how to design and run a sandbox campaign, and many more highly interesting subjects. What I particularly liked is the fact that each of the episodes is about 20 minutes in length. This is enough time to convey even complex ideas but short enough so that you can easily include it in a busy schedule.
I’ve listened to the first two episodes so far and I wholeheartedly recommend the podcast to everyone interested in old-school gaming. Unfortunately he ended the podcast after 17 episodes because of lack of audience and interest. I think it’s a shame because Michael has real talent and many DM’s could learn a thing or two from him. Perhaps some renewed interest in the existing episodes and some valuable feedback from new listeners might make him reconsider.
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I really, really want to run a new game for my friends, but I am still not sure if I am a) ready for it and b) what I should pick. You know, I majorly burned out on running games. I tried to take up the gamemaster’s mantle several times during the last months and it always ended in me cancelling the whole thing after a few sessions.
So, instead of making concrete plans, I am looking for advice which might help me to get into running roleplaying games again and I also want to try out new things which will hopefully help me avoid old mistakes. One thing I have been eyeing for a while is a D&D-based sandbox campaign. Since I found 5th Edition too much of a hassle for me, I decided to give BECMI a try. I picked up a POD copy of the Rules Cyclopedia a while back, and I own the various boxed sets in digital form, so at least the mechanics side is covered.
I haven’t really run a sandbox campaign yet, but I’ve played in a long-running Mutants: Year Zero game, which has strong sandbox elements. I’ve also read various posts about how to run hex-crawls and sandbox campaigns, but I am still not sure how and where I should start with my preparations.
This is where I stumbled upon some posts written by Michael S. aka ChicagoWiz. He’s a veteran D&D GM and I worked with him in the past. Here are the posts I recently put onto my “to read” list, and I am pretty sure some of you could also learn from them:
By the way, these posts are on his old, inactive blog. For newer posts including a couple of three hexes campaign starters, check out his new blog!
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It seems the folks at Modiphius are on a roll right now. Recently I shared news about their upcoming Fallout RPG and the new Achtung! Cthulhu edition for Call of Cthulhu 7th Edition. They also just released a huge number of miniatures and books for their new John Carter line. So it’s probably no surprise that I put the news about a new setting for Paizo’s Starfinder to the side for a while.
This upcoming setting is called Grimmerspace and will be co-written by none other than Sean Astin of Lord of the Rings and Stranger Things fame. I was actually quite surprised when I read this bit of info in the official press release since I didn’t know Astin was a roleplaying game fan.
The game will be designed by Iron GM Games (Lou Agresta and Rone Barton), and Modiphius will act as a worldwide distributor. Fitting the theme of Starfinder, Glimmerspace will be a science-fantasy setting in which high technology and magic coexist. Personally I am not that interested in Starfinder-related stuff, but I still thought this news might be of interest to some of you.
If you are looking for more information on Grimmerspace and the upcoming Kickstarter to fund it, check out their official website.
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Please excuse the click-baity nature of the title, but I thought it was the best way to get your attention. So what is the issue I am having with the ENnies? First let me state that I don’t have any beef with the people running the ENnie awards. But I think the ENnie awards are basically worthless. Let me explain.
Usually when someone gets an award you think it’s because of excellence in the field. Just think of the Nobel price. The best and brightest are rewarded for furthering human knowledge, culture, or working towards peace. It is not a popularity contest. Sure, even the Nobel Price committees got things wrong from time to time, but in general if you won this award you’re an expert in your field and you achieved something worth of merit.
The ENnie awards don’t work that way. Every person or company can enter their products as long as they were released in a certain time frame. Out of all the entries a small number of judges pick a couple of nominees the public then votes on. So, it’s a popularity contest. Usually the game, blog, etc. which wins an ENnie award has been highly successful and popular before. RPG products of excellent quality but which are not well known, usually have almost no chance to get an award and the publicity that comes with it. Even if the judges try to nominate niche products with excellent quality, in the end the public still votes for what’s popular.
Another issue is that companies or persons with a large following can easily make sure their products get the votes they need. I also assume that it should be quite possible to have people vote several times, or to automate voting, so the results get skewed even more. Personally I think the whole idea of having such a popularity contest is wrong. People already vote with their wallets, why should we – as the RPG community – then give awards based on popularity? Shouldn’t we instead promote quality?
Don’t get me wrong, some of the products winning an ENnie might actually be of extremely high quality and deserving an award. There may have been cases where the ENnies even managed to put an underrated product into the limelight. But in general the same companies, game lines and products get rewarded. For example, can you remember a year in which Gnome Stew didn’t win an ENnie? Sure, they have put out quite a few great articles over the years, but are there no other blogs worthy of an award? Or think of all the WotC and Paizo products nominated.
So in the end, an ENnie award is basically not that different to having a Bronze, Silver, Gold, Platinum Seller badge on DriveThruRPG. It’s just a more complicated and expensive procedure to get one.
In the past I submitted my blog to the ENnies a couple of times. When I tried for the first time I was actually hoping to at least get an honorable mention. Is it possible that I am now biased against the ENnie awards because of that? Yeah, that’s possible. But even if I were, my arguments still hold up. The message is clear: the ENnie awards are a popularity contest – nothing more, nothing less. Do we really need it? No. Is there a better alternative? I don’t think there is.
By the way, this post was inspired by the Grumpy Old Gamers podcast by jim pinto and Richard Iorio which recently had an episode talking about awards in general and the ENnies in particular. If you haven’t done so, you definitely should listen to it!
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I have to admit I haven’t really followed the discussions surrounding the Critical Role Kickstarter project. Heck, I haven’t even checked out the project itself until recently. So what is all the fuzz about? Matthew Mercer and his motley crew of voice-acting friends, famous for their D&D actual play series Critical Role, are raising funds for the production of a animated TV series called “The Legend of Vox Machina”. In no time, they reached the set goal of about 666.000€ and at the time of this writing they have raised over 6 million euros. This is HUGE! I don’t think any roleplaying-related fundraiser had ever raised that much money.
Quickly criticism was raised (Check out this article on Kotaku). At first people from the industry were obviously miffed that streamers like Critical Role make more money off of RPGs than the people actually designing those games. In a way I can understand the frustration. Making money in the RPG business is extremely hard. There are only a few designers out there who can live off RPGs alone.
But in that case it’s IMHO an apples versus oranges situation. Critical Role is raising money for an animated TV series. A lot of the people interested in this series might not even be roleplaying game fans themselves. I have watched a couple of episodes of both seasons of Critical Role and I can see the appeal of taking part in their adventures as a spectator. It is possible that some of the backers have never played a roleplaying game in their lives. Perhaps they heard from friends about the show, or they know Vox Machina from their cameos in the Pillars of Eternity 2 video game. Will some of the people backing Critical Role now eventually throw money towards roleplaying game creators? Possible. My point is that the show might have a larger appeal than just people playing D&D 5th Edition or Pathfinder at the moment. In the long run the success of Critical Role will probably lead to more sales in the RPG industry.
The second criticism raised is about diversity. While this particularly group of friends is not entirely male, like way too many roleplaying game groups, the lack of persons of color is noticeable. We all know that representation is important. Critical Role has become a kind of ambassador for the roleplaying hobby, and so it would be great if their cast included persons of color.
But things are not that easy. Before Critical Role was a hit show on Twitch and YouTube, the members of the group were just friends enjoying the game. There have been several guest players on the show and perhaps they might actually add a non-white person to the cast. Since the show evolved from a fun past time to something greater, calling for more diversity and more representation of minorities on the show might not be unreasonable, but it’s not something we can force. Change is slow. But I think we are on the right track.
With their popular and financial success comes a certain responsibility. The future will show if they use their power to do good for the whole community or if they are more interested in increasing revenue for themselves. From what I’ve heard so far, Matt Mercer and crew are good people. They’ll hopefully do the right things. And if not, we – as fans and fellow roleplayers – can nudge them into the right direction again. It’s the same in live as it is in roleplaying games: It’s not only one person’s job to ensure everyone is having a good time. This responsibility falls to all of us.
What are your thoughts on the criticism regarding the Critical Role KS? Please share your thoughts below!
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If you have been following this blog for a while you might already know that I love the old Warhammer Fantasy Roleplay Game from Games Workshop. It was basically the first RPG I played for an extended period of time, and back in the day I immediately fell in love with both its setting and the rules. So it is probably no surprise that I have a soft spot for Zweihänder by Grim & Perilous Studios (My fellow blogger Peter recently wrote an extensive review of this game here on our blog). Zweihänder is a fans love letter to this game, a 600+ pages tome which contains enough material to keep you playing for years. Zweihänder’s rules are pretty close to the 1st and 2nd edition of Warhammer Fantasy Roleplay, but also introduce new ideas. It’s not just a “retro clone” but rather a refinement of the original rules. The implied setting is basically the Old World with the serial numbers filed off, but there are also a few example settings included.
A while back, Grim & Perilous Studios’ David D. Fox started posting artwork for an upcoming project and I immediately thought: “Hey, this looks a lot like Colonial Gothic”. Unbeknownst to me David D. Fox had been working with Rogue Games’ Richard Iorio to combine the awesome setting of Colonial Gothic with Zweihänder’s rules. Personally I love this idea. I think Colonial Gothic needs more love. It is an awesome game but is often overlooked by the gaming community. Combining the setting with a more popular system could bring it into the limelight.
Ok, what is Colonial Gothic all about? Colonial Gothic is a roleplaying game set into the early years of the American Revolution. Aside from the fight against the British there’s also a secret war brewing against the forces of chaos and darkness. These might be unspeakable horrors spawned by Magick, vampires from the old world, witches, angry spirits, and many more. What sets Colonial Gothic apart is the amount of research that went into it. Some of the sourcebooks for the game can easily double as historical text books. Yes, they are that good!
I probably should also mention at this point that I also have a more personal connection to Rogue Games. I first met Richard at GenCon in 2010 and we have stayed in touch after that. Even though we don’t talk or chat as often as I’d like I consider him a friend, a kindred spirit. I also did proof reading for several of his books. Unfortunately I was never able to actually run a game of Colonial Gothic. The interest in the setting is quite limited over here in Germany.
Ok, let’s talk a bit more about the upcoming game. Colonial Gothc: Grim & Perilous RPG will be another 600+ page book. It will be an all-in-one rulebook with all-new artwork (I’ve added the example artwork from the official press release into this post). I guess the rules will mostly be unchanged from what we’ve seen in Zweihänder, but there should be new careers, new monsters, and a different magic system. While some might be intimidated by the tome-like qualities of the book, I actually applaud the decision to make it an all-in-one affair. That’s actually one of the reasons why I always preferred the original WFRP to its successors. I have to admit, I am pretty excited about this upcoming game and I really hope this will be a successful venture for both David D. Fox and Richard Iorio. I wish you guys all the best of luck!
What are your thoughts on this marriage of Colonial Gothic and Zweihänder? Are you as excited as I am or does the setting leave you cold? Please share your thoughts below!
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A few days ago I was surprised to find emails from DriveThruRPG in my inbox with links to free copies of three new products. As it turned out Mödiphiüs had just released an updated version of their Achtung! Cthulhu game for 7th Edition Call of Cthulhu, and as one of the original backers I was eligible for a free copy. The core rules consist of the Investigator’s Guide (a 128-paged PDF containing all the rules needed by the players) and the Keeper’s Guide (a 216-paged PDF with the background, new rules for WW2 combat, a bestiary, and everything else the GM needs to run this game).
Achtung! Cthulhu is – as the name implies – a Call of Cthulhu game set into World War 2. The horror of war and the atrocities of the Nazis are combined with Lovecraftian cosmic horror. The characters are Allied soldiers or agents of Allied services fighting both the Axis and the Mythos creatures weaponized by them. The setting also helps to solve one the issues that often crop up in Call of Cthulhu games: why should the investigators travel the world, risking their lives and their sanity, while at the same time jeopardizing their jobs and relationships? Delta Green solved the issue by making the investigators members of a government conspiracy. In Achtung! Cthulhu you’re playing the soldiers fighting a war. Unfortunately I haven’t had the time to actually play Achtung! Cthulhu yet, but now I can at least do so with the latest iteration of the Call of Cthulhu rules. If you enjoy Lovecraftian Horror and have an interest in WW2, you definitely should check Achtung! Cthulhu out!
While checking out the official Mödiphiüs site I was also reminded of Achtung! Cthulhu Skirmish, their tabletop miniatures game in the same setting. Miniature skirmish games have always been a mixed bag for me. I love playing those games, but I am not particularly good at them. They can also quickly become a huge money and time sink. I have to admit that Achtung! Cthulhu Skirmish looks quite tempting and the miniature prices are very reasonable. If you are into these kinds of games, you definitely should give it a look.
What are your thoughts on Achtung! Cthulhu? Have you actually played the RPG or the miniature game? Please share your comments below.
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If you told me yesterday that Bethesda would eventually allow someone to design a Fallout pen & paper roleplaying game, I wouldn’t have believed it. For a very long time they weren’t willing to let anyone touch this franchise. But it seem Modiphius managed to convince them that Fallout was in good hands with them.
What’s even more surprising that they’ll not just release one but two RPGs in the Fallout universe. The first one will be a roleplaying expansion to their successful Fallout Wasteland Warfare miniatures game (check out our interview with its designer James Sheahan). The second one will be a more traditional tabletop RPG using Modiphius’ 2d20 System. You can learn more about these games on Modiphius’ Fallout Roleplaying website.
The one based on the miniature game will actually be out this summer and will be playable without miniatures as a standalone RPG using free downloadable cards!
I am extremely excited about these news and hope we’ll get more details on both games in the near future!
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Today I stumbled upon an excellent article written by Brad J. Murray about luxury games (like Monte Cook’s Invisible Sun) and the struggles of indie game designers. It’s definitely well worth your time. I posted an excerpt below.
My business, the VSCA, is in a very privileged space. It’s not for me to talk about whether someone elses pricing scheme is good or bad, just or unjust. It is certainly all those things. So let’s just look at some things that are certainly true and wonder how much we care. You get to decide how much you care for yourself.
Monte Cook Games pays a decent wage to their writers and artists. Far above the indie norm.
A hundred bucks in one outlay is too much money for some people to pay. They cannot afford to buy this game (Invisible Sun) even in digital only form. [..]
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A couple of days ago Monte Cook Games finally released their roleplaying game Invisible Sun in digital form. Until then the PDF version of the game was one of the exclusive Kickstarter backer perks. The digital edition not only contains multiple PDFs with over 1000 pages of text, but also countless cards in a printer-friendly format and handouts for all the props included with the physical version of the game. The price tag is at $99.
This may sound a lot and quite a few people have been arguing that its way too much, but this is not the issue I am having with the game. Invisible Sun is a surreal fantasy game, a game in which characters wield unimaginable powers, a game which is supposed to change your perspective on what roleplaying games could be. This might to a certain extent be quite pretentious, and a bit of hyperbole, but the people who read or even played it, seem to like it a lot. So what’s the issue?
My issue with the game is that aside from either getting the $99 digital copy or the $250 physical one (aka the Black Cube), I have no way to find out more about the game. Sure, I can watch the videos Monte Cook Games has uploaded to YouTube, or I can read one of the few reviews out there. Having a reasonably priced starter set or perhaps even some free quickstart rules would make it much easier to find out whether Invisible Sun is worth my money or not. With a game at such a high price tag, I just want to be really, really sure, that the game is for me.
Is the price itself fair? Undoubtedly so. Monte Cook Games creates awesome products and I never regretted putting down money for any of their books. Especially the physical copy of the game is probably quite cheap considering how much material you get. I’d love to get my hands on a copy, but at the moment, a $99 or $250 minimum to get into the game, just seems too much for me.
By the way, I just noticed that Invisible Sun is actually the #1 best selling title on DriveThruRPG at this moment. I don’t know how this is measured, just by the sheer number of purchases or is the price factored in? Still, it’s pretty impressive.
What are your thoughts? Are you intrigued by Invisible Sun, but shy away from the high price tag? As always every comment is highly appreciated!
UPDATE: My friend Roberto aka Sunglar let me know that there’s actually a preview for Invisible Sun available for free on DriveThruRPG. I haven’t had the time yet to fully read it, but it seems to give a good overview on character creation, the magic system and some of the “fluff”.
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I have spent the past seven weeks reading the Zweihänder core rules cover to cover.At nearly 700 pages this was not a small task. The reason for this was purely for review purposes.
Over on my own blog I have done a chapter by chapter read through as inspired by Jeremy Friesen’s SWN series. I did the series on my blog for two reasons. The first was that there are potentially useful elements in Zwei for Rolemaster fans as both are d100, detailed and gritty games. Zwei by comparison is brand spanking new and shiny but most to of my blog readers are old hand Rolemaster GMs playing a game that is 30 years old or so.
The second reason is all about word count. I think I have written something like 12,000 words about Zweihänder in the past two months. That is fine on my own blog but it is a little presumptuous to monopolise Michael’s blog just to review a single game.
So enough about the how and why, what do I think of Zweihänder?
Mechanically, it is a simple enough game. It is a well written and simple game using a roll under mechanic on a d100. Some of the things that immediately appeals was that there are no levels and no hit points.
What Zweihänder lacks is survivability. It is written in that players are expected to hold a stable of characters and swap in a new PC when the current one dies. This is something that I struggle with. I find it hard to invest in a PC that I know is almost certainly going to die. I know that PCs die all the time but a great many fantasy games include Raise Dead, Resurrection or Life Giving which means that death is not necessarily the end. Of course if death is a real possibility it means that choices have meaning. If death is an almost certainty it goes too far the other way.
That is probably my only gripe.
On the plus side there is a lot of really good stuff here. I personally would have said that the magic system in Zweihänder is one of the three best magic systems I have ever used. The other two are Hero System and 7th Sea. Hero is simply the most flexible system imaginable and 7th Sea is the most integrated into the setting and by extension the most flavourful.
Zweihänder has a very simple critical system, both for critical success and critical failure. This same system runs through skills, combat and magic. The way that critical failures are applied in magic is that the successes and failures are explicitly described in each and every spell. You don’t get any of this bland “You failed so your spell doesn’t work.” Take this spell as an example.
FEAST FOR CROWS
You conjure forth a murder of crows, which harry and harm your
enemies.
Distance: Any one place you can see
Reagents: A crow, sacrificed (expended)
Duration: Instantaneous
Effect: After successfully casting this spell, you can conjure
a flock of murderous crows that swoop about your enemies,
dispersing only after tasting blood. All those who are caught
within the Burst Template suffer 2D10+[WB] in Damage.
Critical Success: As above, but those caught in the Feast for
Crows begin to Bleed.
Critical Failure: You call forth a flock of murderous crows –
armed with iron beaks and dagger-like talons – not from the
Material Realm but from the Abyss! They swoop about you
and you suffer 2D10+[WB] in Damage and begin to Bleed.
You can see from the spell description how those critical successes and failures are unique to each spell and add to the flavour of the spell. That runs right through the magic system. Everything feels really tight, slick and polished.
The next thing that I think is good is the bestiary. This is not the biggest bestiary in the world but the way it is structured and the breadth of the monsters included is more than adequate. They are also all the most iconic of monsters. Zweihänder also uses a system of true names. So where some games may have seperate stats for a Frost Giant, a Jotun and a Nephilim, Zweihänder uses a single base creature but rather than creating numerous variations it integrates the monsters into its folklore skill. So a Frost Giant is a nephilim as is a Jotun as is a Giant. The actual monster stats are kept secret but the characters can learn, through their skills and game experience interact with just the local names and local monsters.
Zweihänder also has a feature and mechanic for corruption. This also integrates with the bestiary with its mutants and corruptions. The lasting impression is that everything in Zweihänder is, just like the magic, tightly, slick and polished.
So my conclusion is that I like Zweihänder. Right now the game is $14.99 on DTRPG but it is about to disappear. Grim & Perilous Studios have signed a publishing deal and will be disappearing from all the OBS websites. You can preorder the printed books through Amazon and apparently Target and Walmart if you are that way inclined but the price is going to be an awful lot more than the PDF pricing.
It seems like the world and his brother already own Zweihänder but if you don’t and you think it could be your thing then I would get it sooner rather than later. If you really want to read about it in depth then you can head over to the RolemasterBlog and search for Zweihänder there and you will find my read through.
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If you are an avid fan of PC gaming, you have probably heard of Sunless Seas and its successor Sunless Skies. Both games have a strong focus on story and exploration. In Sunless Skies you are the captain of a locomotive exploring the skies. And that’s not where the weirdness ends. In Sunless Skies stars are highly intelligent … and dying. The Victorian Empire has built its own Sun and Queen Victoria reigns from the Throne of Hours, which gives her control over time.
If you want to explore the vast skies in a tabletop roleplaying game, don’t fret, Failbetter Games has you covered. Skyfarer is a Sunless Skies RPG which you can download for free. The game uses a simple d10-based mechanic and is focused on narrative gaming. If you expect complex rules and tactical combat, Skyfarer is not for you. But if you intend to tell exciting stories in a delightfully weird world, you definitely should check it out.
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A friend of mine just pointed a pretty good deal out to me. In order to celebrate Pathfinder 10th anniversary, Humble Bundle is selling $505 worth of Pathfinder stuff for mere $18.
The offer is tiered with the lowest tier starting at $1 and containing the Pathfinder Beginner Box, the core rules, several sourcebooks and trial access to Pathfinder Online. The next tier starts at $8 and contains additional material like the Advanced Player’s Guide and the Villain Codex. The third tier starts at $15 and contains books like the Ultimate series of sourcebooks, Bestiary 2 and 3. Last but not least the highest tier starts at $18 and contains more material for Pathfinder, and also the core rules for Starfinder, Paizo’s new Science-Fantasy RPG.
Of course you can always decide to pay more. Each Humble Bundle sold supports charity. You can either choose the one featured by Humble Bundle this month, or choose your own.
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This is a short update to let you all know that I’ve created a new Twitter account. From now on, my old account @StargazersWorld will be exclusively for blog-related stuff, while my personal account @LordStargazer is for everything else. Please note that it will probably take me a couple of days to get everything sorted.
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