First Comics News

PRE-SHOW
Aiden English def. Tye Dillinger

BATTLEGROUND
The New Day (Big E, Kofi Kingston, and/or Xavier Woods) def. The Usos (Jey and Jimmy Uso) (c) for the WWE SmackDown Tag Team Championship
Shinsuke Nakamura def. Baron Corbin
Natalya def. Charlotte Flair, Becky Lynch, Tamina and Lana Fatal 5-Way #1 contender for the WWE SmackDown Women’s Championship
Kevin Owens def. AJ Styles (c) for the WWE Championship
John Cena def. Rusev Flag match
Sami Zayn def. Mike Kanellis (with Maria Kanellis)
Jinder Mahal (c) (with The Singh Brothers) def. Randy Orton Punjabi Prison match for the WWE Championship

Most Creative Store Sale: Comic Quest – Lake Forest, CA

Best Staff Morale Booster: Jesse James Comics – Glendale, AZ

Best Store Sign: AA Comics and Cards – Lebanon, PA

Best T-Shirt Display: Haywood Comics – Asheville, NC

Sixty-niner is all the finer!! On this special episode we welcome Neon Black creator, Kevin Birones. Kev’s a local lad that moved to the big city and is living the dream creating his own comic. Sam takes the lead and we chat about Neon Black, SDCC leaks, and melty chocolate treats!

If you are interested in older episodes please head to http://heykidscomics.ca !

Seems like anytime DC Publisher Dan DiDio is involved in a Comic-Con panel, he’s always got something up his sleeve, even at the end of the day. As if the “DC Master Class” panel wasn’t stacked deep enough with world-class comic art talent – Amanda Conner, Greg Capullo, Tony Daniel, Andy Kubert, Jim Lee and John Romita Jr, another unexpected guest stopped by: Comic book legend Frank Miller!

Fresh off of his completion of BATMAN: THE DARK KNIGHT: MASTER RACE, Miller thought he’d come chill with his friends as they talked with Dan about their first forays into comics as well as their various upcoming projects for DARK NIGHTS: METAL, DARK MATTER and other upcoming books. Frank didn’t want to feel left out, so he decided to up the ante, revealing some news of his own; he’s got a new DC title in the works, and he revealed concept art for a project he’s really excited about: SUPERMAN: YEAR ONE.

At Comic-Con this year, Dan DiDio-moderated panels have given fans the following exclusive news: Grant Morrison and WONDER WOMAN EARTH ONE Volume Two, new DARK MATTER titles and Jeff Lemire’s return to DC and two new titles from one of the greatest writers in comic book history. The moral of this story: Always keep your eyes open for a panel moderated by Dan, you never know what you might find out!

In celebration of Harley Quinn’s 25th Anniversary, this year the bubbly Super-Villain will take over DC’s annual Batman Day celebration on September 23, 2017. The announcement was made today on the DC Harley Quinn: Celebrating 25 Years panel at SDCC. The panel included moderator and current HARLEY QUINN writer Jimmy Palmiotti, and panelists Amanda Conner, Paul Dini, Chad Hardin, Alex Sinclair, Tara Strong and more!

Harley Quinn debuted on Batman: The Animated Series in the episode “Joker’s Favor,” which originally aired in September 1992. Co-created by the acclaimed Paul Dini (Batman: The Animated Series, DARK NIGHT: A TRUE BATMAN STORY) and Bruce Timm (Batman: The Animated Series, Batman Beyond) Harley Quinn spawned the now popular and plentiful comic series and is one of the fastest growing characters in DC history, becoming a top ten character in only the last 25 years.

DC will celebrate the 25th anniversary of Harley Quinn in a big way, with key new releases in the coming months including, HARLEY QUINN: A ROGUES GALLERY—THE DELUXE COVER ART COLLECTION, HARLEY QUINN 25TH ANNIVERSARY SPECIAL #1, and an oversized anniversary issue featuring Harley’s entire cast of crazy characters, HARLEY QUINN #25.

Stay tuned for more details on Harley Quinn’s takeover of Batman Day on September 23.

Today, fans at SDCC were treated to an electrifying panel celebrating the 25th anniversary of WildStorm Studios! The panel served as a reunion for the imprint’s most influential members and included founder and current DC Publisher Jim Lee, along with fellow artists Carlos D’Anda, Scott Williams, Adam Archer, Ryan Benjamin, Lee Bermejo, J. Scott Campbell, Sandra Hope, Dustin Nguyen and Alex Sinclair. The panel was moderated by former WildStorm editor and DC Talent Relations Director Ben Abernathy.

Panelists shared new details on WILDSTORM: A CELEBRATION OF 25 YEARS—an oversized hardcover collection coming this fall. The book will include thrilling new stories from some of comics’ legendary creative teams, including a WILDCATS story from Jim Lee and Brandon Choi, a GEN13 tale from J. Scott Campbell, THE AUTHORITY story from Warren Ellis and Bryan Hitch, and a BACKLASH short from Brett Booth; brand-new pinups of classic characters from Adam Hughes, Ryan Benjamin, Adam Archer, Fiona Staples, Carlos D’Anda, Lee Bermejo and more; behind-the-scenes material; and reprints of WildStorm’s greatest stories!

Attendees were treated to live art demonstrations throughout the conversation, first looks at exclusive new artwork from WILDSTORM: A CELEBRATION OF 25 YEARS, and everyone in attendance left with their own Grifter mask! To catch a glimpse of the new art and stories in the collection, check out the gallery here.

A short Friday the 13th Fan film we decided to make for an 800 subscriber special but before I knew it, it was over 2000 subs!

Jason Voorhees has become nothing but a myth or a legend but not to the Government, they know he is out there. So they sent in a few of their best Navy SEALS. But the operation went bad and only one soldier was left to get the job done.

Fun Facts:
-we filmed in 3 days
-the glass bottles were exploded using sky rockets on 4th of July!
-we were first going to use the Jason Goes To Hell mask
-the kid was going to kill Jason in the original ending

I DO NOT OWN ANY AUDIO IN THIS VIDEO. NO COPYRIGHT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY.
ALL SOUNDTRACKS BELONG TO THEIR RIGHTFUL OWNERS.

New Releases For 7/26/2017

PREMIER PUBLISHERS

DARK HORSE COMICS

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MAY170026 BLACK HAMMER #11 VAR LEMIRE $3.99
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APR170101 CONAN THE SLAYER #11 $3.99
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MAY170068 JOE GOLEM OCCULT DETECTIVE OUTER DARK #3 $3.99
FEB170063 LEGEND OF KORRA TP VOL 01 TURF WARS PT 1 (C: 1-1-2) $10.99
MAY170023 MASS EFFECT DISCOVERY #3 $3.99
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DC COMICS

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IDW PUBLISHING

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IMAGE COMICS

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MARVEL COMICS

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COMICS & GRAPHIC NOVELS

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New Releases For 8/2/2017

PREMIER PUBLISHERS
DARK HORSE COMICS
APR170089 BTVS SEASON 11 TP VOL 01 SPREAD OF EVIL $19.99
APR170102 CONAN OMNIBUS TP VOL 03 ANCIENT GODS AND SORCERERS $24.99
MAR170028 DOTA 2 COMIC COLLECTION HC $24.99
FEB170103 GAME OF THRONES MAGNETIC BOOK MARK SET 3 $6.99
JAN170139 JERRY & JOKER ADVENTURES & COMIC ART HC $34.99
JUN170028 LOBSTER JOHNSON MANGEKYO ONE SHOT $3.99
APR170082 MATT WAGNER GRENDEL TALES OMNIBUS TP VOL 01 $24.99
APR170104 NGE SHINJI IKARI RAISING PROJECT OMNIBUS TP VOL 04 $19.99
JUN170070 PREDATOR HUNTERS #4 $3.99

DC COMICS
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JUN170301 NIGHTWING #26 $2.99
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JUN170368 SHADE THE CHANGING GIRL #11 (MR) $3.99
JUN170315 SUPERMAN #28 $2.99
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DC COMICS/DC COLLECTIBLES
FEB170343 DC COVER GIRLS ZATANNA STATUE $100.00

IDW PUBLISHING
MAR101049 METAL GEAR SOLID OMNIBUS TP (NEW PTG) $29.99
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IMAGE COMICS
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MARVEL COMICS
FEB170971 ALL NEW ALL DIFFERENT AVENGERS HC VOL 01 $34.99
JUN170972 ALL NEW GUARDIANS OF GALAXY #7 $3.99
JUN170897 AVENGERS #10 SE $3.99
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MAY170958 CAPTAIN AMERICA STEVE ROGERS TP VOL 03 EMPIRE BUILDING $19.99
JUN170899 CHAMPIONS #11 SE $3.99
APR171144 COLOR YOUR OWN MARVEL MASTERS TP $9.99
JUN170852 GENERATIONS BANNER HULK & TOTALLY AWESOME HULK #1 $4.99
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JUN170958 HAWKEYE #9 $3.99
JUN170951 IRON FIST #6 $3.99
JUN170954 JESSICA JONES #11 $3.99
JUN170908 LOCKJAW DOG DAYS TP $7.99
FEB170972 LOKI JOURNEY INTO MYSTERY BY KIERON GILLEN OMNIBUS HC $100.00
JUN171025 MARVEL UNIVERSE AVENGERS ULTRON REVOLUTION #12 $2.99
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JUN170919 MARVELS THOR RAGNAROK PRELUDE #3 $3.99
FEB170974 MMW SAVAGE SHE-HULK HC VOL 01 $75.00
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JUN170962 NICK FURY #5 $3.99
JUN170935 SPIDER-MAN #19 $3.99
JUN170938 SPIDER-MAN DEADPOOL #20 $3.99
JUN171023 STAR WARS DARTH VADER #4 $3.99
JUN171014 STAR WARS ROGUE ONE ADAPTATION #5 $3.99
MAY170983 THOR EPIC COLLECTION TP IN MORTAL FLESH $39.99
JUN171028 TRUE BELIEVERS KIRBY 100TH BLACK PANTHER #1 $1.00
JUN171029 TRUE BELIEVERS KIRBY 100TH CAPTAIN AMERICA LIVES AGAIN #1 $1.00
JUN170961 UNSTOPPABLE WASP #8 $3.99
JUN170971 VISION DIRECTORS CUT #3 $6.99
JUN170987 X-MEN GOLD #9 $3.99

This week’s cosplay dude of the week

If you would like to be the Cosplay Dude of the Week!
Please send your photo to Alex.Wright@firstcomicsnews.com and you will be considered for inclusion in a future edition of Superhero Dudes!

This week’s cosplay girl of the week is Carol Zara

If you would like to be the Cosplay Girl of the Week!
Please send your photo to Giovanni.Aria@firstcomicsnews.com and you will be considered for inclusion for a future edition of Superhero Girls!

The Circle

The Timely Thriller Starring Oscar Winner Tom Hanks and Emma Watson Arrives on Blue-Ray & DVD on August 1

Based on the international best-seller by Dave Eggers, The Circle arrives on Blue-ray Combo Pack (plus DVD and Digital HD) and DVD August 1 from Lionsgate; with Digital HD on July 18 and On Demand on August 1 from EuropaCorp. Capturing the phenomenon of today’s social media and the consequences of being permanently checked in, the gripping modern thriller is directed and co-written for the screen by James Ponsoldt (The Spectacular Now) and Dave Eggers (A Hologram for the King), and features an all-star cast, including Emma Watson (Beauty and the Beast), Oscar winner Tom Hanks (Best Actor, Forrest Gump, 1994), John Boyega (Star Wars: The Force Awakens), Karen Gillan (Guardians of the Galaxy), Ellar Coltrane (Boyhood), Emmy winner Patton Oswalt (Writing for Variety Special, “Talking for Clapping,” 2016), Glenne Headly (“The Night Of”), and Golden Globe nominee Bill Paxton (Best Actor, Television — Drama. “Big Love,” 2010) in his final role.

When Mae (Watson) is hired to work for the world’s largest and most powerful tech and social media company, she sees it as an opportunity of a lifetime. As she rises through the ranks, she is encouraged by the company’s founder, Eamon Bailey (Hanks), to engage in a groundbreaking experiment that pushes the boundaries of privacy, ethics, and ultimately, her personal freedom. Her participation in the experiment and every decision she makes begin to affect the lives and future of her friends, family, and all of humanity.

The home entertainment release of The Circle features all-new bonus content, including three featurettes chronicling the making of the film, a look at the future of technology, and an interview with Tom Hanks and James Ponsdolt reminiscing about their work with Bill Paxton, The Circle will be available on Blue-ray and DVD for $ 39.99 US and $ 29.99 US, respectively.

BLUE-RAY/DVD SPECIAL FEATURES:
“No More Secrets: Completing The Circle — A Four-Part Series” Featurette
“The Future Won’t Wait: Design and Technology” Featurette
“A True Original: Remembering Bill Paxton” Featurette

THE CIRCLE
Trailer:

Facebook: www.facebook.com/WeAreTheCircle
Twitter: @WeAreTheCircle
Instagram: @WeAreTheCircle

Blue-ray & DVD from Lionsgate: www.lionsgate.com

Movie: The Circle
Rating: PG-13
Genre: Thriller, Drama
Run Time: 110 Minutes
Rating: 4 out of 5 stars
Comments: Mae starts her new job. Her character is a cute girl, one that comes across as a hard worker.
Eamon has created a camera that is basically Big Brother squared. It will enable anyone to spy on anyone. Eamon plays it up as a great thing to use against terrorists. Plus it is way more than just a camera it links up with a satellite.
Mae does fit in. Than things start getting a little weird. Mae is expected to do more than just work at the Circle. She is now part of a society group as well. She works, lives, socializes there and is expected to spend her free time with members of the Circle. There are benefits and not just for her.
The night kayak scenes are shot to dark. It is hard to see what is going on.
Mae seems to get convinced that being monitored almost all the time is a good thing. She wears a C-Cam. She has joined in fully at the Circle and with all of the employees.
Mae does change as she works at the Circle. She comes up with a plan to force people to vote. It also lets you find anyone in the world in twenty minutes or less. She finds a childhood friend and than she does something that she had not planned. It is an emotional moment.
The Circle is like a cult.
Mae gets the two owners to go public with everything about them. All their e-mails even the super secret ones she makes available.
Mae decides to make changes. How would you like to live in a world with no privacy. It would be safer but would it be better.
Emma Watson gives a stunning performance in this movie.

Yesterday we talked with Adam Breen a two-time Darby Pop Breaking into Comics Winner. Today we have Richard Casey, who is also a two time Darby Pop Breaking into Comics Winner. Richard was nice enough to stop by First Comics News and let our readers know how he broke into comics and what his story is all about.

First Comics News: You won the Darby Pop, Breaking into Comics Contest. That must have been a dream come true.

Richard Casey: It really was. I’ve spent the last seven years trying to convince people that I’m a writer. So, finally managing to do that has been an incredible confidence booster. And, if I’m being painfully honest, winning the “Breaking Into Comics” contest twice has made me an insufferable arse.

1st: How did you hear about the contest?

Richard: I’m always looking for opportunities to submit writing samples and such, but finding Darby Pop’s contest the first time was dumb, blind luck; they announced it on Newsarama, so I clicked the link, read up on the opportunity, and got to writing. This time around, I just saw them announce it on Twitter, which is way less interesting, but wholly true.

1st: Were you familiar with the characters before the contest?

Richard: I wasn’t. Although, in a moment of crazy happenstance, Side-Kicked was a book I’d read about online. But, a poverty-induced exile from comic book reading meant I hadn’t yet had the chance to check it out.

1st: How long was it from the time you entered the contest until you heard you won?

Richard: A couple of months, I think. I almost didn’t find out I’d won. The email address I used to submit “Life’s Beauty” — my first winning story (published in The Women of Darby Pop anthology) — had been compromised somehow, and I was unable to recover the account. It’s only because I saw Darby Pop Publishing announce on Facebook that they’d chosen winners that I even thought to reach out to them and tell them what had happened. So there you have it, kids: always update your email account’s recovery information. Fortunately, the second time around the process was far less stressful, even though it took roughly the same amount of time.

1st: That was the Women of Darby Pop with “Life’s Beauty”. After you win, you’re a published writer and have literally broken into comics. Didn’t that exclude you from the contest the following year?

Richard: No, I thought it might have… and did ask before I put the time into writing something for Side-Kicked. Luckily, Darby Pop understands that being published and being a professional comics creator are two very different things; they seem genuinely interested in fostering new creators and voices. So never be afraid to ask, ‘cos if you don’t ask, you don’t get.

1st: As a prior winner, did that give you an edge over the competition?

Richard: I’d like to think that being an exemplary collaborator the first time around helped sway the fine folks at Darby Pop (there’s that “insufferable arse” I mentioned earlier). But, in reality, I’ve been told that it did not. Darby Pop, apparently, distributed the drafts internally without the writers’ names on them.

1st: Were you following Side-Kicked?

Richard: No, like I mentioned earlier, poverty-induced comics exile meant that the last time I read a comic, Otto Ocktavius was pretending to be Spider-Man.

1st: There isn’t much of a back story for Al Clinton/Jolt before “Pick (Up) A Card”. In your story, we see Al’s first day as a side-kick. How much latitude did you have in creating this story?

Richard: Like you said, there wasn’t much to begin with, which meant I didn’t have to colour between the lines; I could draw whatever damn picture I wanted. Obviously, whenever you’re dealing with a character someone else has created, you want to make sure you’re staying true to what they’ve established, so there was a lot of reading and re-reading of the Side-Kicked trade paperback. But, other than that, it was open season on Jolt’s backstory.

1st: What did you do to make sure your story stood out?

Richard: Whenever I write something, I always make sure that character is at the center of it. Who is he/she? What does he want? Why is he dressing up like a fool and punching bad guys in the face? So, honing-in on Jolt and the fledgling relationship he has with Flying Fox was always the crux of my story. I’d like to think that focus helped my story stand out from other submissions.

1st: Flying Fox is basically a Batman analog, or am I misunderstanding the character?

Richard: Yeah, the Side-Kicked TPB contains several references to Flying Fox and his mythology that have a Batman-y vibe to them: he’s rich, he has a butler, no real super powers, and — of course — an underground lair he refers to as “The Fox Hole.” And, if I remember correctly, a couple of the artists who worked on the book have DC credits, as well.

1st: How does Al Clinton get the side-kick job for the Flying Fox?

Richard: Within the Side-Kicked universe, heroes tend to have a sidekick backing them up in the same way police always patrol with a partner. So, I imagine there’s probably the coolest employment agency on the planet that deals exclusively with heroes looking for sidekicks and vice versa. Hey, that sounds pretty fun, I think I just came up with a Side-Kicked spin off…

1st: What is the nature of their relationship?

Richard: Flying Fox is a loner; he doesn’t want Jolt, or anyone for that matter, at his side. That said, Flying Fox recognizes the dangers this world presents and understands that the more soldiers there are in the fight, the better. To Flying Fox, sidekicks are temporary: he trains them and either they burn out or go on to be full-blown heroes, making the world a little bit safer.

1st: Why does Jolt stick with the sidekick job?

Richard: Because he believes in the idea of “for the many, not the few”; he wants to help in any way he can. And for a guy with super powers, that means putting on a costume and fighting the good fight, regardless of the personal cost.

1st: What do you have planned next?

Richard: More writing, more pitching, hopefully, more interviews about the next comic I’m having published. What do you think, Daby Pop? That Employment Agency-based Side-Kicked spinoff really does sound like a winner to me!

Title: WWE # 7
Publisher: BOOM! Comics
Writers: Dennis Hopeless, Andrew Stott
Story by: Andy Belanger and Andrew Stott
Illustrated by: Serg Acuna and Tim Lattie, Andy Belanger
Colored by: Doug Garbark, Serge Lapointe
Lettered by: Jim Campbell, Serge Lapointe
Cover by: Dan Moira
Variant Covers by: Rahzzah, Brent Schoonover with Colors by Nick Filardi, Jorge Corona, Adam Riches, Lynne Yoshi
Price: $ 3.99 US
Rating: 3 out of 5 stars
Website: www.boom-studios.com
Comments: As Sasha and Dean stop at a truck stop it turns out they are in Wyatt Country. Wyatt’s family and home are a crazy looking group and place. He has a huge extended family that all seem to like wearing a certain type of mask.
Wyatt kidnaps Sasha and Dean. He invites Sasha to join his flock. Dean and Sasha make an escape and as they do it turns into something like out of a Mad Max movie.
Sasha and Dean do make a cute and crazy couple. They actually do mesh well together. Sasha is so beautiful and athletic while Dean is plain crazy in how he acts and has that look on his face.
“Damien’s Dinner Time” starring Jake “The Snake” Roberts. So many great of wrestling are shown here. Here we see a snake can beat a dragon. Great art shows us all these legends of the ring.

Title: Blokes Tomb of Horror # 666
Publisher: Virus Comix
Writers: Jason ‘Bloke’ Crawley, Lyndal Ferguson, Mixtress Mary DeSade, Alessio Landi, Fabrizio Fassio & Valentino Sergi
Artists: Alfredo & Alessio Nocerino, Alberto Lingua, Vincenzo Balzano, Lyndal Ferguson, Mirko Benotto, Tony Karnes, Alessandro Borroni, Silvano & Renato Stevanato.
Front Cover Artwork: Alfredo Nocerino (A,B), Lyndal Ferguson (C), Vincenzo Balzano (D), Alessandro Borroni (E), Silvano (F)
Back Cover Artwork: Alfredo Nocerino (A), Fernando Ignatius (B,E), Lyndal Ferguson (C), Vincenzo Balzano (D), Silvano (F)
Price: $ 4.99 US
Rating: 4 out of 5 stars
Website: http://www.indyplanet.us/product/60533/
Comments: The Bloke is the narrator of these tales. He is a tough looking guy. Think Two-Face in Hell.
“Family Matters” Written and lettered by Jason Crawley and artwork by Vincenzo Balzano.
A man and his wife are on their way to the in-laws. On the way they stop at a house and the family there are worse than the in-laws. This is a short horror story that delivers a grisly ending.
“Dr. Bang and the Naughty Nurse” Written by Lyndal Ferguson and Mixtress Mary DeSade, artwork by Lyndal Ferguson and lettered by Jason Crawley.
This the first appearance of Nurse Hatchet does have her having fun. She is illustrated with the cutest butt ever. T&A are shown so there is some nudity.
Nurse Hatchet must face Dr. Bang and Dead Girl. Dead Girl has a really nicely drawn butt to. Nurse Hatchet does do evil things but only to evil people that deserve it. So all three turn out to be on the same side, they all punish the evil. Nurse Hatchet delivers her own brand of bed side manners.
“Harley Havoc – Under the Dust” Written and lettered by Alessio Landi and artwork by Mirko Benotto.
One hard butt kicking woman makes her way shooting and exploding into a heavily guarded building. The story has nice art and delivers a twist. Harley turns out to not be exactly as you are lead to believe.
“The Screaming Statues” Written by Fabrizio Fassio, artwork by Alessandro Borroni and lettered by Alessandro Ferrara.
A Countess who is very jealous goes to great lengths to make sure no one at all takes away attention from her. This woman was so jealous it made her evil. Her evil slowly creeps up on you as you read this tale.
“Who is the Real Vermin?” Written and lettered by Jason Crawley and artwork by Tony Karnes.
Grant a exterminator who enjoys his job a little to much gets an unexpected surprise. It is one he deserves. The rats here are illustrated well. They will make you worried about seeing one.
“Zombie Decadence” Written by Valentino Sergi, artwork and lettering by Aberto Lingua.
Two US Marines capture a bunch of zombies and you will never believe what they do with them. Some people are just plain sick. The art looks good showing off the decaying zombies.
“Deja Grue” Written and lettered by Jason Crawley, pencils by Renato Stevanato and pencil layouts by Alessio Nocerino.
Victoria after a night out drinking has a realistic bad dream that she almost expects to be real when she wakes up. Sometimes dreams that seem real are real. Poor Victoria.

First Comics News: Why did you decide you wanted to create comic books?

Dee Fish: I honestly can’t remember a time where I didn’t want to make comic books. I’ve been doing this in some form or another since I stopped eating my crayons. I’ve always loved comics and have wanted to do this my entire life.

1st: What is “Finding Dee” your webcomic about and what is the url for anyone who wants to see it?

Dee: “Finding Dee” is a weekly webcomic that is semi-autobiographical. It’s an examination of what it’s like being a 40 plus, struggling cartoonist and illustrator who has also come out as transgender in her 40’s. So it’s a hopefully humorous look behind the scenes as I try and navigate my life and career while dealing with the mountains on nonsense that comes with just tying to LIVE as a transgender woman in a culture that would very much prefer that I not exist. Finding Dee can be read online every Saturday at www.findingdee.com

1st: This comic deals with you being a transgender woman for those who do not know what is a transgender woman?

Dee: The short and simple answer is that all of us are born as remarkably complicated beings with bodies and brains that are far, far more elaborate then the simplistic “Boys have a penis and girls have a vagina” binary ideas we’re taught as kids. But when we’re born, a doctor looks between our legs and decides what we are based on the shape of our genitals and little else. For a significant portion of the human population, that decision is just wrong. I could fill an interview with all the various scientific reasons and information that’s out there on being transgender, but to cut to the point it simply means that your gender does not line up with the gender you were assigned at birth from the doctor based on the shape of your genitals.

1st: Are all the “Finding Dee” strips done for humor?

Dee: More often then not, I’m striving to approach this subject from a humorous point of view. I don’t want my strip to get preachy or morose. I want to express that in spite of what some people might think, my day to day life ISN’T all that different from anyone else’s. I get up and work. I go to the movies and eat too much food that’s not good for me. I love to go out and sing karaoke and goof around. I’m in a long term loving relationship with a cisgender woman who met me years before I came out and we have a pretty normal life.

1st: Will people get to learn more about you personally by reading “Finding Dee”?

Dee: That I’m a neurotic mess. That I’m dealing with lots of anxiety and stress regardless of being transgender. And that I really DO just want to go to the bathroom without drama when I leave the house.

1st: How did you come up with the idea for “Dandy & Company”?

Dee: Honestly, it’s hard to say exactly where the ideas all came from because I created the main characters and the comic strip when I was EIGHT years old, in 1982. I just wanted to make my own comic that was like Peanuts, Garfield and Bugs Bunny. I based the structure on my own home life at the time and Dandy was based on a terrier I had named Toto, but with a very snarky personality.

1st: Who is Bernard and what is his dog Dandy like?

Dee: Bernard and Dandy are very much two sides of the coin that is me. Bernard is the part of me that’s optimistic and naïve and Dandy is sarcastic and pessimistic. Dandy is in many respects the kind of character I WISHED I could be like who always had a good comeback and never got rattled by bullies. Reality is somewhere in the middle, where I’m really a naïve pessimist. lol. Dandy & Company can be read every Wednesday at www.dandyandcompany.com

1st: What are the main differences between a webcomic and a printed one?

Dee: The differences are what you, as the creator, make them. For me, my webcomics are all drawn with print in mind to comic book proportions, I just distribute them online for free first before collecting them in actual printed books. The webcomic route is a good degree CHEAPER to get started with, though. You can build up a catalog of material AND a fan base before ever having to pay for printing.

1st: Why should someone try the “Wellkeeper”?

Dee: You should try the Wellkeeper if you love good, exciting comics with lots of fantastical creatures, magic and adventure. The Wellkeeper is a 12 issue maxi series about a young woman named Zoe who inherits a power passed from mother to daughter generationally that connects her to the life energy of the planet. This gift enables her to communicate and control natural forces, plant life and even animals. But this power skipped a generation, so Zoe has inherited these gifts without knowing what they are or why any of this is happening to her all while being hunted by a dark being called the Withering Man that seeks to destroy her and end the lineage of Wellkeepers forever. The entire series is collected as a single omnibus collection and can be ordered online at http://www.indyplanet.us/product/148453/

1st: What would you like to see happen with “Majorie of the Weirdlings”?

Dee: Well, the project was pitched as a new series last year, but I never really got much of a reaction out of anyone for the idea. I published a 12 page preview of the story but it failed to generate enough interest for me to invest the time needed to bring it to life. I’d love to go back to it at some point and complete the initial story at least.

1st: How do you grow as both a writer and artist?

Dee: The simplest answer is that you grow as a writer and artist by writing and drawing. Just do it. Put in the time and tell your stories. If you’re not as good as you need to be today, do it anyway and you’ll be a little better tomorrow.

1st: Are you a fan of Marvel comics, do you have any favorite characters from them?

Dee: Sure. I grew up with Marvel moreso then DC, but I’m a fan of both. Spider-Man is probably my favorite Marvel hero. But I also have a lot of love for Power Pack, Quasar, Adam Warlock, Darkhawk and a lot of other great books with smaller fan bases.

1st: If you could have one super power what would it be and why?

Dee: Well, I’d LOVE to be able to fly in a generic way. But I would kick BUTT if I had Jamie Madrox’s “Multiple Man” duping powers. I could get SOOOO much work done that way. lol

1st: Any words for those who support you?

Dee: It is amazingly appreciated, and I hope you continue to enjoy the comics! Thanks for reading.

est Lettering: Todd Klein, Clean Room, Dark Night, Lucifer (DC/Vertigo), Black Hammer (Dark Horse)
Best Digital Comic: Bandette by Paul Tobin and Colleen Coover (Monkeybrain/ComiXology)
Best Webcomic: Bird Boy by Anne Szabla
Best Writer: Brian K. Vaughan, Saga, Paper Girls (Image Comics)
Best Writer/Artist: Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)
Best Cover Artist: Fiona Staples, Saga (Image Comics)
Best U.S. Edition of International Material: The Moebius Library: The World of Edena by Jean “Moebius” Gerald et al. (Dark Horse)
Best U.S. Edition of International Material (Asia): The Art of Charlie Chan Hock Chye Best Humor Publication: Jughead by Chip Zdarsky, Ryan North, Erica Henderson and Derek Charm (Archie)
The Bill Finger Award: William Messner-Loebs, Jack Kirby
Best Comics-Related Periodical/Journalism: The A.V. Club, by Oliver Save et al.
Best Comics-Related Book: Crazy: George Herriman, A Life In Black and White by Michael Tesserand (Harper)
Best Academic/Scholarly Work: Superwomen, Gender, Power and Representation by Carolyn Cocca (Bloomsbury)
Best Penciller/Inker: Fiona Staples, Saga (Image Comics)
Best Coloring: Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image Comics), Black Widow, The Mighty Thor, Star-Lord (Marvel Entertainment)
Best Painter/Multimedia Artist: Jill Thompson, Wonder Woman: The True Amazon (DC Entertainment), Beasts of Burden: What The Cat Dragged In (Dark Horse)
The Bob Clampett Humanitarian Award: Joe Ferrera, Marc Andreyko
Best Publication for Early Readers (up to age 8): Narwhal, Unicorn of the Sea by Ben Clanton (Tundra)
Best Publication for Kids (ages 9-12): Ghosts by Raina Telgemeier (Scholastic)
Best Publication for Teens (ages 13-17): The Unbeatable Squirrel Girl by Ryan North and Erica Henderson (Marvel Entertainment)
The Will Eisner Hall of Fame: Milt Gross, H.G. Peter, Antonio Prohias, Dori Seda, Gilbert Hernandez, Jaime Hernandez, George Perez, Walter Simonson, Jim Starlin
The Spirit of Comics Retailer Award: Comicazi, Somerville MA
Best Archival Collection/Project — Strips: Dick Tracy: Colorful Cases of the 1930s edited by Peter Maresca (Sunday Press)
Best Archival Collection/Project — Comics: The Complete Wimmen’s Comix edited by Trina Robbins, Gary Groth and J. Michael Catron (Fantagraphics)
Best Publication Design: The Art of Charlie Chan Hock Chye Best Short Story: “Good Boy” by Tom King and David Finch, Batman Annual No. 1 (DC Entertainment)
Best Single Issue/One-Shot: Beasts of Burden: What The Cat Dragged In by Evan Dorkin, Sarah Dyer and Jill Thompson (Dark Horse)
Best Anthology: Love is Love, edited by Marc Andreyko, Sarah Gaydos and Jamie S. Rich.
The Russ Manning Promising Newcomer Award: Anne Szalba
Best New Series: Black Hammer by Jeff Lemire and Dean Ormston (Dark Horse)
Best Limited Series: The Vision by Tom King and Gabriel Walta (Marvel Entertainment)
Best Continuing Series: Saga by Brian K. Vaughan and Fiona Staples (Image Comics)
Best Graphic Album — Reprint: Demon by Jason Shiga (First Second)
Best Reality-Based Work: March Book Three by John Lewis, Andrew Aydin and Nate Powell (Top Shelf)
Best Graphic Album — New: Wonder Woman: The True Amazon by Jill Thompson (DC Entertainment)

Adam Breen is a two-time Darby Pop Breaking into Comics Winner and his latest entery “Gauntlet” will be part of the new Side-Kicked trade paperback. Adam was nice enough to stop by First Comics News and let our readers know how he broke into comics and what his story is all about.

First Comics News: You have a Degree in English and Film from the University College Dublin. How does writing for comics compare to writing for a University Professor?

Adam Breen: In some ways, it is similar. You have to get all the technical stuff right. You have to make sure you format everything correctly and spell-check over and over again. Anything that breaks the flow of a script — just as with an essay — is gonna irritate the reader. But, whereas a professor knows a certain amount about you and may often judge your essay based upon intent, an editor may not know anything about you and judge only the content of your script. So, it has to deliver.

1st: Once you have a degree in film, what makes you change course and try to break into comics?

Adam: I had always intended to be a comic writer. But, it was actually a movie that kicked-off my career. After I saw The Dark Knight, I didn’t wanna be a spectator anymore, and I committed to studying the craft. I had nothing but an old word processor and the special edition of Arkham Asylum by Grant Morrison. It had the comic script reprinted in the back, so I just copied the layout and set about learning as much as I could about writing a comic book. But, I didn’t feel like it was enough. So, I went to college to get an English degree, and that was the year Dublin started offering English and Film together. I thought that would be a great way to learn about two different storytelling mediums. And it was.

1st: You won the Darby Pop “Breaking into Comics” Contest in 2016, how did you hear about the contest?

Adam: My fiancée found it actually. She is also very interested in comics and she gives me so much support. She is always combing through the Internet, looking for places to send a script. She found their contest and I put in a script. So it is all thanks to her!

1st: Were you familiar with Darby Pop Publishing before the contest?

Adam: Yeah. A friend of mine who attends Trinity College in Dublin showed me the issue of Dead Squad that takes place in the famous Trinity Library. I gave it a read and thought that it was pretty cool, so I read the whole series.

When I read more about Darby Pop, I realized I was familiar with Jeff Kline’s work as a producer. I thought someone with all that experience putting together loads of amazing animated shows would be a great comic publisher, and I was right.

1st: Your story “Past Due” was published in Women of Darby Pop. So there is a contest, you won, and you have successfully broken into comics. What made you decide to enter again in 2017 and “break in” again?

Adam: Well, you don’t just ‘break in.’ It’s a constant battle. It isn’t a case of getting published once, then putting your feet up and waiting for the offers to pour in. You constantly have to push for opportunities and get your scripts read. Plus, I really love Darby Pop and I would jump at the chance to work with them anytime.

1st: As a prior winner, weren’t you pretty sure you knew what the editors were looking for?

Adam: You can never be sure! You always have to make sure it is as good as possible. But with Darby Pop, it’s more of a particular work ethic. They are very much a team. You have to be open to feedback and working with everyone on the team to make the best book possible.

1st: Had you been reading Side-Kicked before you entered the contest?

Adam: I was indeed. It was funny and had some great action set-pieces. Plus, I like the way it looked at the realistic side of what being a side-kick must be like. And, as a writer, I love the chance to expand a universe and write stories about the events that you don’t normally get to see. So, it was great to be able to write an origin story.

1st: One of the things I liked about your story is you are breaking into the comics industry and Frostbite is breaking into the superhero industry, and you frame his story in that context. Is this semi-autobiographical?

Adam: Ha! You caught me! An underdog trying to make a mark on a business with so many other big names. So, maybe a little bit, yes! I also wanted to explore the other qualities that make up a superhero besides “powers” like intelligence, creativity, etc.

1st: Walter Jefferson/Frostbite doesn’t want to be a side-kick. What is the working relationship between Frostbite and Atlanta?

Adam: There is a huge amount of respect. Frostbite looks at Atalanta like a rock-star. She is one the heavy hitters. And Atalanta would not have even looked at Frostbite if she didn’t think he could fight at her level.

1st: What is the personal relationship between Frostbite and Atlanta?

Adam: They are in love. Atalanta comes from a long line of women who share her powers. The women in her family have the responsibility to pass their mantle on to their daughters. But, this can only happen if the children are created out of love. So, Atalanta wouldn’t waste her time in a relationship with someone she didn’t truly love.

1st: Walter isn’t a kid, he is a full grown man. He and Atlanta consider themselves partners. Why does he hang out with and identify with the side-kicks?

Adam: I think these guys are his friends and he feels connected to them. Walter is the kinda guy who gets promoted to management at work, and still considers himself one of the worker bees.

1st: If Walter isn’t satisfied with his role, why doesn’t he just strike out on his own?

Adam: Well, he was trying to do that. But, Atalanta shows him that despite his power, he still has a lot to learn and being her partner will only make him stronger.

1st: Now that you have broken into comics twice, what do you have planned next?

Adam: Right now I am working on an awesome project with another artist I met while working on Women Of Darby Pop. Can’t say too much about it right now, but hopefully, everyone will get to read it soon!

fter teasing comic book fans with ominous shadow images of six evil Batmen from the Dark Multiverse several weeks ago, their final, terrifying images were revealed earlier this morning Comic-Con International: San Diego.

Each of these malevolent characters – The Red Death, The Murder Machine, The Dawnbreaker, The Drowned, the Merciless and The Devastator – all represent corrupted versions of Batman set upon the DC universe to help conquer it once and for all, as part of the DARK NIGHTS: METAL event beginning this August.

BATMAN: THE RED DEATH #1 (on sale September 20)
Written by Joshua Williamson
Art by Carmine Di Giandomenico

BATMAN: THE MURDER MACHINE #1 (on sale September 27)
Written by Frank Tieri
Art by Ricardo Federici

BATMAN: THE DAWNBREAKER #1 (on sale October 4)
Written by Sam Humphries
Art by Ethan Van Sciver

BATMAN: THE DROWNED #1 (on sale October 18)
Written by Dan Abnett
Art by Philip Tan

BATMAN: THE MERCILESS #1 (on sale October 25)
Written by Peter J. Tomasi
Art by Francis Manapul

As part of DC’s presence at SDCC, fans will not only see these images displayed in the booth, but will also have their chance to take pictures with this evil sextet as part of the always popular interactive green screen photo studio.

Today, during DC’s Young Animal panel, imprint curator Gerard Way made comic dreams come true by announcing that the weird and eccentric characters of Young Animal will encounter the iconic Super Heroes of the DC Universe. In January 2018, the four ongoing series – DOOM PATROL, SHADE, THE CHANGING GIRL, CAVE CARSON HAS A CYBERNETIC EYE, MOTHER PANIC – will participate in a special four-part annual crossover.

These annuals will mark the conclusion of the first phase of the imprint and will send each series in surprising new directions!

Fans attending the panel were elated to be treated to a first look of DOOM PATROL SPECIAL featuring the JUSTICE LEAGUE OF AMERICA. This issue will be co-written by Way and Steve Orlando with illustrations by ACO and cover art by Frank Quitely. More details on the other annuals will be shared in the coming months.