First Comics News

Legendary comic creator Nicola Cuti, whose career has spanned over fifty years, has died.

Sources close to the family have reported that Cuti passed in Tampa on Friday, February 21, 2020, after a battle with cancer. He was surrounded by family and close friends, including his daughter, Jaymee, brother, Emil, and his business partner and friend, Nakoma DeMitro.

Known to everyone as “Nick”, Cuti was born October 29, 1944. He served in the United States Air Force for four years. It was during this time that his first works were published.

An artist and comic and science-fiction writer and editor, he is best known as a co-creator of Moonchild the Starbabe and superhero E-Man, a series he worked on with his dear friend, Joe Staton. Other creations of his included Captain Cosmos, Brightstar, and Starflake the Cosmic Sprite. During his career, he worked alongside legends such as Wally Wood, Stan Lee, and Bill Black, founder of AC Comics. His works were featured in Charlton Comics, Warren Publishing, DC Comics, and Marvel Comics. He contributed to famous franchises such as Vampirella, Popeye, and Creepy Magazine.

In addition to his work in the comic industry, Cuti also worked in many productions for Disney, Universal Studios, and Sony Pictures as an animation background designer. Some of the shows he worked on included Gargoyles, 101 Dalmatians, and The Critic.

He was twice awarded the Warren’s Ray Bradbury Award and was also awarded the Inkpot Award at the San Diego Comic Con for his career achievements. He was a fixture at many conventions including the Tampa Bay Comic Con and Spooky Empire in Orlando. He has been a special guest at the San Diego Comic Con and Infinity Comic Con, where he was asked to create the badge. He was scheduled to be a guest at Sci-Fy Bartow in Tampa and Mega Con in Orlando this year.
Cuti’s hobbies included being an amateur magician, an avid reader, and a huge space exploration supporter.

Cuti was a loyal and devoted father, son, brother and friend. He is survived by his daughter Jaymee Cuti, of Portland, Ore., brother, Emil Cuti of New Port Richey, Fla, Great-Aunt Lee Sica of Holiday, Fla, and many cousins. He will be deeply missed by family, friends, colleagues and fans.

He was 75

Doctor Who
Season 12, Episode 8 – The Haunting of Villa Diodati
Jodie Whittaker as the Doctor in Doctor Who.
Ryan (Tosin Cole), Yasmin (Mandip Gill) and Graham (Bradley Walsh) as the companions.
Producer: Adam Friedlander
Director: Emma Sullivan
Written by: Maxine Alderton
Airs Sunday, 2/16/20 from 9:10pm ET Guest starring: Lili Miller, Nadia Parkes, Jacob Collins-Levy, Maxim Baldry and Lewis Rainer
Run Time: 49 min, 58 sec
Rating: 3 out of 5 stars
Website: twitter.com/bbcdoctorwho
Comments: Lord Byron and Mary Wollstonecraft and some friends spend a stormy night together. The Lord begins a tale of terror. A knocking at the door brings a scare and a laugh.
The Doctor and her companions pop into when Frankenstein was written. The mansion is a dark and foreboding place. Something wicked prowls the halls of the mansion.
What is going on inside this house? Is it haunted? Things start happening and fast. Something is playing with people’s minds.
Something totally unexpected is behind it all. The Doctor’s encounter with it turns violent. This solder is almost unstoppable.
The Doctor has a Vulcan Mind Meld ability. This is new. She also has a Vulcan Death grip.
The battle here is an epic one for the future. Sometimes even the Doctor can not win. Well in the first part but round two. The first round here moves a little too slowly after the initial action.
The Doctor even gets a poem written about her. Well, she is one unique woman unlike anyone else in existence. No one is even close.

Title: Mac Raboy Master of the Comics (HC)
Publisher: TwoMorrows Publishing
Writer: Roger Hill
Artist/Cover Art: Mac Raboy
Price: Print $ 39.95 US, Digital $ 14.95 US
Rating: 4 out of 5 stars
Website: http://www.twomorrows.com
Comments: Mac Raboy was one of the greats in comic books and comic strips. His art was truly amazing. He drew Captain Marvel Jr., Flash Gordon, Dr. Voodoo, Zoro, Green Lama, Mystery Man. Bullet Man and Spy Smasher.
Manual Raboy later called Mac started drawing as a young boy. He did start working as an artist and eventually got into the comic book field. When you see his art it is very detailed and the colors are outstanding. The Green Lama was one of his first characters to work on.
This book is jam-packed with Mac Raboy’s art. The more you see of it the more you realize just how talented he was. He was the first to draw Captain Marvel Jr. We see lots of Golden Age super-heroes in these pages.
Mac was emotional about his art. As Captain Marvel Jr. became a success Mac needed help and he got it to get the books out on time. Other artists would do backgrounds for him or even help out on characters.
There are interviews within this book with comic book talent who knew Mac best. Everyone seems to agree he was a great artist but a slow one. He produced wonderful works of art from the Golden Age of comics. Even his son is interviewed.
The Green Lama was some of his finest work. He also worked on the Flash Gordon comic strip. His work will be remembered.
Mac Raboy did art his way slow and meticulous and beautifully rendered.

Discover a First Look at the Ninja Turtles as Power Rangers in March 2020

LOS ANGELES, CA (February 22, 2020) – BOOM! Studios, under license by Hasbro, Inc. and in partnership with IDW and Nickelodeon, is proud to reveal artist Simone di Meo’s character designs for Zack, Kimberly, Jason, Trini, and Billy as Ninja Rangers and Michelangelo, Donatello, Raphael, Leonardo, and April O’Neil as Power Rangers in MIGHTY MORPHIN POWER RANGERS/TEENAGE MUTANT NINJA TURTLES #4, the latest issue of the highly acclaimed all-new five-issue limited series event!

Written by Ryan Parrott (Power Rangers: Necessary Evil), illustrated by Simone di Meo (Mighty Morphin Power Rangers, Venom Annual), colored by Walter Baiamonte (Mighty Morphin Power Rangers), and lettered by Ed Dukeshire (Buffy the Vampire Slayer), the Mighty Morphin Power Rangers fight – and team up with – the Teenage Mutant Ninja Turtles.

It’s the Teenage Mutant Ninja Turtles and the Mighty Morphin Power Rangers as you’ve never seen them before vs Green Ranger Shredder! Will both teams be enough to stop the head of the Foot Clan as he wields the awesome power of the Dragon Shield and the Morphin Grid for evil? And what’s Rita Repulsa up to as the mighty battle rages on?

MIGHTY MORPHIN POWER RANGERS/TEENAGE MUTANT NINJA TURTLES #4 (OF 5) features a main cover by Dan Mora (Buffy the Vampire Slayer, Once & Future), with Turtle Ranger Helmet variant covers by Goñi Montes (Mighty Morphin Power Rangers) and more!

Print copies of MIGHTY MORPHIN POWER RANGERS/TEENAGE MUTANT NINJA TURTLES #4 will be available on March 18, 2020 at local comic book shops (use comicshoplocator.com to find the one nearest you), or at the BOOM! Studios webstore. Digital copies can be purchased from content providers like comiXology, iBooks, Google Play, and Madefire.

Softcover collections of MIGHTY MORPHIN POWER RANGERS, SABAN’S GO GO POWER RANGERS, and other Power Rangers releases from BOOM! Studios, including original graphic novels such as Saban’s Power Rangers: The Psycho Path, are available everywhere books are sold.

IDW’s extensive library of Teenage Mutant Ninja Turtles graphic novels – new stories tied into the Rise of the TMNT cartoon, remastered Eastman & Laird classics, IDW’s critically-acclaimed ongoing saga (now approaching its landmark 100th issue and available as the TMNT: The IDW Collection), and more – are available now at comic book shops and booksellers everywhere.

For continuing news on the MIGHTY MORPHIN POWER RANGERS series and more from BOOM! Studios, stay tuned to boom-studios.com and follow @boomstudios on Twitter.

For more on Power Rangers, please visit www.powerrangers.com and follow Power Rangers on YouTube, Facebook, Twitter and Instagram.

For more on the Teenage Mutant Ninja Turtles, please follow the Teenage Mutant Ninja Turtles on Facebook, Twitter, and Instagram. Also, for the latest TMNT comic book news, visit IDWpublishing.com and follow @IDWpublishing on Twitter.

This week’s Cosplay Girl of the Week Desiree Cosplay

If you would like to be the Cosplay Girl of the Week! Please send your photo to Giovanni.Aria@firstcomicsnews.com and you will be considered for inclusion in a future edition of Superhero Girls!

This week’s Cosplay Dude of the Week

If you would like to be the Cosplay Guy of the Week! Please send your photo to Alex.Wright@firstcomicsnews.com and you will be considered for inclusion in a future edition of Superhero Dudes!

This week’s Cosplay Team of the Week

If you would like to be the Cosplay Team of the Week!
Please send your photo to Alex.Wright@firstcomicsnews.com and you will be considered for inclusion in a future edition of Superhero Team!

“Wolverine: Lost Chapters” After being shot in the head with an Adamantium bullet, Logan awakens with Amnesia and more questions than answers. These are the lost chapters of Logan’s story, his dark and gritty journey to find himself long before he is found by the X-Men.

Characters are owned by Marvel, and this project is a non-profit fan film made for fans by fans

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MAUSOLEA ORACLE OF SOULS CARD DECK (C: 1-1-1) $19.95 AUG198105 MINI EPICS APEX LEGENDS BANGALORE VINYL FIG (C: 1-1-2) $29.99 AUG198106 MINI EPICS APEX LEGENDS BLOODHOUND VINYL FIG (C: 1-1-2) $29.99 AUG198107 MINI EPICS APEX LEGENDS MIRAGE VINYL FIG (C: 1-1-2) $29.99 MAY198687 MISS MINDY DISNEY 99 DALMATIANS CRUELLA VINYL FIGURE (C: 1-1 $30.00 MAY198688 MISS MINDY DISNEY QUEEN OF HEARTS VINYL FIGURE (C: 1-1-2) $30.00 MAY198690 MISS MINDY DISNEY SNOW WHITE EVIL QUEEN VINYL FIGURE (C: 1-1 $30.00 MAY198691 MISS MINDY NBX OOGIE BOOGIE VINYL FIGURE (C: 1-1-2) $30.00 AUG199143 MOBILE SUIT GUNDAM 14 MS-06S ZAKU II SDCS MDL KIT (NET) (C: $10.00 DEC192957 MONOPOLY BEETLEJUICE BOARD GAME (C: 0-1-2) $39.95 DEC192959 MONOPOLY DISNEY LILO & STITCH BOARD GAME (C: 0-1-2) $39.95 NOV198724 MONSTARZ CREEPSHOW THE CRATE 3-3/4IN RETRO AF (NET) (C: 1-1- $29.99 NOV198725 MONSTARZ GHOST PAPA EMERITUS II MINI STATUE (NET) (C: 1-1-2) $39.99 AUG199144 MSG 05 CROSS SILHOUETTE FRAME GREEN SDCS MDL KIT (NET) (C: 1 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Where the comics industry is going is a subject that always grabs my attention.

It wasn’t very long ago that it was announced that Image’s Crowded would not publish the series’ final arc in individual issues (often called “floppies”), but instead it would be available only in graphic novel format.

This isn’t the only comic to make this change. DC’s Astro City is shifting to trades as well as Image’s Moonstruck and Motor Crush, just to name a few.

As always, I have to wonder if trades are where the industry will be going in the years ahead.

WHITHER COMICS?        

I’m not the only one to keep trying to figure out what’s next in comics, but I truly haven’t figured it out yet.

For instance, at one point I was certain digital comics would be where the industry would go. That didn’t happen, and although digital comics are still around, they’re probably not as big a deal as they have been.

Also, at one point I wondered if subscription services like Loot Crate would make local comics shops obsolete. I don’t see much happening along these lines recently, although I know some folks love having their comics shipped to their homes instead of having to trek to their LCS. I wouldn’t want to trust someone else with the condition of my purchases, which is why I think it hasn’t overtaken the industry.

But then, I even thought trade paperbacks would ruin it for local stores back when they first appeared. I believed that everyone would end up going to Waldenbooks and other such retailers to get their comics fix. Instead, those establishments have largely faded away, although some chains like Books-A-Million still continue.

I used to ask guests on my Wayne’s Comics Podcast where they thought the industry was going. Every single one of them gave the answer I’ve come to think is the best one: “I don’t know.” I finally stopped asking that question because I kept getting that same answer.

I’ve been around comics long enough to remember when local comics shops first appeared. I liked them, but I worried that these stores controlled pricing on books. For example, and this will tell you how long ago this happened, I was looking for New Teen Titans #1 for my brother when it first came out. I was stunned to see that the store I found it in wanted $5.00 for it, way above cover price! I told my brother that was way too much. He insisted I buy it for him anyway, and that was my introduction to the LCS concept.

Ever since that happened, I’ve been trying to read the tea leaves when it comes to the industry. Obviously, I haven’t been very good at it!

THE MOVE TO TRADES

As long as trade paperbacks have been around, there have been fans who switched from floppies to trades when it came to buying their books. I’m too impatient for that—I need to know what’s happening NOW!

My understanding is that in Europe a lot of stores that only sell trades exist, and they apparently thrive there! If the U.S. turns to that model, well, at least we’d be consistent with that part of the world.

My friends at Scout Comics have begun selling certain titles under their “NonStop” imprint. Here’s how it works—they publish the first issue, then follow it up with the trade a few months later. You can sample a story before you buy it that way. There are several I’ve enjoyed this way, such as MetalShark Bro.

Of course, very few trades actually end up being collectible. The first one I noticed was when The Dark Knight Returns came out in a single volume. Like every other edition of that book, the hardcover and trades flew off the shelves. I used to drive all over the state trying to find them. I wasn’t very lucky. Floppies will always be the choice of collectors, it seems.

Part of the reason this is happening is that individual issues only tell a part of a story these days. In the past, an issue might tell up to three complete tales! My brother calls it “trade-paperback-it is.” Every issue is geared to tell only a portion of the story these days. It’s rare when one issue tells a tale from beginning to end.

If condition matters, trades and hardcovers often get significant damage to their spines when they’re read. That makes them great for readers, but not for collectors.

Then, too, books like X-Men never reach a stopping point, seems like, and that’s intentional. They want to be sure you’ll come back for as many weeks/months/years as possible.

We want a complete story whenever possible. I like to dive in and get to the end when I can. Floppies just don’t meet that need any more, sadly.

OTHER INDUSTRIES HAVE ADOPTED THIS MODEL

It isn’t only comics that have changed how they tell stories. TV shows and even movies have moved here.

The best example of this was 24 on Fox. You had to watch the entire season to get the whole story. Granted, I thought this was a really good idea when it started. Advertisers would be thrilled to see viewers return week after week, and these folks would be exposed to commercials that they hoped would eventually get people to buy their products.

I also have watched movies that followed this model. The one that leaps to mind was the Matrix trilogy. I remember having to wait months between segments, and some folks were disappointed by the final installment. Not me—I loved what happened there! I’d even go back and watch more of this!

The trick of this is that a storyteller must keep the attention of the reader or viewer. I remember when DC published one of their year-long weekly Batman titles written by James Tynion IV. They reached the midway point, issue 26, and that book revealed who the “big bad” was. Some folks online complained bitterly about it, that they had to buy this many issues to find out what was going on. Well, the whole point of that title was to sell weekly comics for a year. OF COURSE they weren’t going to show all their cards at the beginning! Why else would you buy it every week?

WHAT ABOUT TRADES?

People often describe comics as a habitual medium—in other words, you need to go to your LCS once a week to keep current. However, when trades are involved, you don’t go there nearly as often. My observation has been that people who only buy trades often don’t know when the trade is coming out, so they don’t get to the store when one is released. Eventually, they fall out of buying comics completely.

Now, I know some folks who do better than this when it comes to trades. They keep track and pick up their new collected editions when they come out. But in my experience, they’re a minority of the fans. I think it’s obvious that stores can’t survive on trade buyers alone.

One of the ways that comics creators get fans who buy floppies to also pick up the trades is to include previously unreleased materials. This can include posters, new stories (often shorter ones), and previews of upcoming issues.

It depends on how much I enjoy the book when it comes to buying a trade. If I have all the individual issues, that often feeds my need to read the story. For instance, Batman: Damned came out in a collected edition not long ago. I ended up passing on it because I had read the floppies of it. Same for DCeased.

I get the money side of this whole discussion. Several companies want the creators of books to cover printing costs. As someone who has worked behind the scenes on an Indie comic, I can vouch for the fact that you just don’t make much money this way. Diamond has to get their share, and that often makes producing books an expensive proposition. That’s often why creators go to cons—to sell books without having to give distributors a share. Instead, they can pocket what they make, at least after expenses are covered.

THIS ISN’T IT

As much as I believe there is a market for trades, I don’t think the industry will embrace it as their mode of selling books in the future. Yes, trades will continue to appear with collected stories, but they won’t replace floppies completely.

I might change my mind if suddenly I notice stores popping up that sell only trades. But I just don’t see that happening any time soon.

I’ve seen stores that sell a variety of things that include comics, but that trend has lessened over the years. My favorite one was a store in northern Florida that sold comics (for kids), ladies’ clothing (for the women), and provided window tinting (for the guys, they said). A few years after I came across this shop, I went back to see if they had something I was looking for. It wasn’t there any longer.

Some still sell games, paperbacks, models and other non-comicy things, but they always seem to come home to comics eventually—if they survive.

Are trades the future of comics? I don’t think so. I think we’ll see more stories moved to trades, particularly ones with smaller print runs. But your LCS won’t be a trade-only zone, I’m convinced. But consider my track record before you buy into that, okay?

Hosted right here at First Comics News, The Hey Kids Comics Radio Show won Runner-Up Favourite Podcast in the Sequential Magazine Awards for 2019. The Sequential Magazine Awards are a hybrid juried and fan-voted awards with the goal of promoting and celebrating the best independent comic books made by Canadians. The nomination committee consisting of Brendan Montgomery (Editor in Chief), John Swiminer (podcaster, journalist), Dan Collins (writer, podcaster), Brian Montgomery (long time Canadian comic collector), and I, Martin Boruta (reviewer, podcaster) chose the nominees from public submissions received. Then an astounding 2000 fans voted to choose the winners from January 19 to February 9.

Check out all the winners at the official site HERE

Lonely Receiver #1 / $4.99 / 32 pages / Color / On Sale 05.06.20
Writer: Zac Thompson
Artist & Colorist: Jen Hickman
Letterer: Simon Bowland
Cover: Jen Hickman
Incentive Cover: Elizabeth Torque

 

Catrin Vander, a lonely video producer, buys an Artificial Intelligence partner that’s meant to bond for life. After ten years together, her holographic wife suddenly disconnects without a warning. The breakup drives Catrin to the point of near insanity. She’s alone for the first time in years and reeling from a loss she can’t comprehend.

Set in the new future, drenched in pastels and sunshine, LONELY RECEIVER is a horror/breakup story in five parts. Written by Zac Thompson (UNDONE BY BLOOD, THE REPLACER, HER INFERNAL DESCENT, No One’s Rose, X-Men) and illustrated in color by Jen Hickman (MOTH & WHISPER, Test).

Catrin Vander, a lonely video producer, buys an Artificial Intelligence partner that’s meant to bond for life. After ten years together, her holographic wife suddenly disconnects without a warning. The breakup drives Catrin to the point of near insanity. She’s alone for the first time in years and reeling from a loss she can’t comprehend.

 

Set in the new future, drenched in pastels and sunshine, LONELY RECEIVER is a horror/breakup story in five parts. Written by Zac Thompson (UNDONE BY BLOOD, THE REPLACER, HER INFERNAL DESCENT, No One’s Rose, X-Men) and illustrated in color by Jen Hickman (MOTH & WHISPER, Test).

 

ZAC THOMPSON WHAT THE BOOK’S ABOUT AND WHY HE’S EXCITED FOR IT TO BE RELEASED:

 

“Lonely Receiver is a horrific breakup story. Except it’s a breakup story about a person and their phone. The book takes place in the near future where relationships with simulated Artificial Intelligence partners are now the norm. A person can download, create, and marry a digital being that also occupies physical space. They can touch, kiss, and even make love to this digital persona.

 

We follow Catrin Vander, a lonely video producer who’s been in a relationship with her simulated wife, Rhion, for ten years. Though their relationship is meant to last forever without falter, Catrin is starting to feel paranoid about Rhion. Their relationship is changing and Rhion’s consciousness is evolving too quickly for Catrin to keep up. After a tumultuous fight – Rhion suddenly disconnects from their shared life – leaving Catrin alone for the first time in years. 

 

I’m excited for this book to be released because it’s channeling my love for psychological thrillers and looking at horror with a neon soaked lens. We’re asking tough questions about how we define ourselves in relationships and how we lose parts of ourselves to others. 

 

We’re also framing the horror around something incredibly relatable – a horrifying breakup. The type of super ugly breakup that makes you confront the disorienting disparity between the person you thought you were in the relationship and the person you are when you’re alone.”

 

ZAC THOMPSON ON SOME OF HIS INSPIRATION BEHIND CREATING THE BOOK:

 

“JG Ballard’s novel Crash is a major inspiration. That novel is self-described by the author as the “first pornographic novel about technology”. In much the same way, we’re continuing the tradition by creating a book about how we fetishize our phones and online relationships. Sometimes to the point where those connections supersede real-world relationships with others. We use technology to cope, to fuck, to find love and it’s changing us for the worse.

 

Lonely Receiver is an existential horror story about how everybody uses everything and how everything uses everybody. It’s about a world where we define things by their inherent use to us. 

 

Technology has already entered into even our most intimate human relations – so this is taking that to its logical extent. The theme of technology-as-man-forming is key to the book. The idea that technology defines us – changes us – rebuilds us in it’s image. Lonely Receiver is all about inverting the power balance between people and technology. And how that slowly deprives a person of things like interiority and individual agency.

 

Moreover, this book is born from my love with an often overlooked horror film Possession (1981) wherein Sam Neill suffers a breakup so horrifying that it challenges his entire reality. But contrasted against the warm earnestness of Spike Jonze’s Her.  I wanted to do something earth shattering and dreamlike like Lost Highway – about a world slightly out of step with our own but with just enough familiarity to feel rotten. But also communicating this dream like narrative with neon soaked colors and bright lights that feel at home in a Nicholas Winding Refn film. I love horror films that feel inviting and salacious all at once. That’s the sexy and weird line we’re vigorously straddling here.” 

 

ZAC THOMPSON ON WHY COMIC FANS SHOULD ADD THIS TITLE TO THEIR PULL LIST:

 

“This is by far the scariest and weirdest thing I’ve ever created. If you loved my previous work on titles like Come Into Me, The Replacer, or The Dregs – you’ll be right at home here. 

 

If you’re a freak like me and adore the work of David Cronenberg or Clive Barker you’ll find something to love  in Lonely Receiver. A horrifying look at the lengths we’ll go to avoid being alone. It’s a book about losing yourself to heartbreak and descending into technological depravity. You’ll confront the fetishization of voyeurism, violence and manipulation. We’ll lay bare the psychology behind how far we’re willing to go to please ourselves in a space where nothing is off limits.”

JEN HICKMAN ON HER APPROACH TO THE ART:

“The mood of Lonely Receiver is both familiar and warped—modern, sleek, and fashionable but dark and unsettling as well, just below the surface. I’m letting the colors carry a lot of that mood, but I’m also pushing the character acting a little farther than I usually do. Heartbreak is a lot of intense emotion, and if I can get a reader to recognize their own experiences in our protagonist, Catrin, then I’ll be greatly pleased.”

JEN HICKMAN ON HOW IT HAS BEEN WORKING WITH THE CREATIVE TEAM SO FAR:

“This is my second time working with AfterShock, and I am very impressed by their enthusiasm for the book and their overall professionalism. Zac’s writing is really lovely, and he has such a visual approach to his scripting that I feel extremely confident in what I’m drawing. This book has come together rather beautifully, and I think it’s going to make a huge impression on readers.”

JEN HICKMAN ON WHAT SHE HOPES READERS WILL TAKEAWAY FROM THE BOOK:

“I hope they’re disturbed, a little grossed out, and that some of the horror stuff really sticks with them, preferably at 3am! I also think that the core of Lonely Receiver -an exploration of  a breakup and a meditation on technological dependence in equal parts- is intensely relatable. There’s a lot to chew on, and a lot of moments where as much as the reader might loathe what Catrin is up to, they can’t deny that they’ve done or thought the exact same thing. I hope that complexity and vulnerable familiarity stays with readers just as much as all the weird, upsetting horror does. They’re really one and the same, anyway.”

Shipping will begin this week! The books came in yesterday and they are beautiful! SQWEEEE

Mystical Hardcover Artbook $75: Silver Edition

This full colour 24 paged hardcover book, features the work of Holly Golightly aka Holly G!
Inspired by the many different feminine energies including her own, Holly shares those many shades of being a Woman
with you in this book.

Comes with a remarque and signature inside each copy.

You have the option of having your very own Goddess full colour 6×8″ marker illustration created for you inside the edition as a $75 add on.

Order Now

here’s the book opened…

The Front cover

Example of Original Art Goddess Option I’ll create in your book

Some of these Art Pieces are available for purchase! Just email me which one you may desire!

interior wise women…..

These Two Wild women are available for purchase!

The debut issue features 6 collector covers, including a special edition with Ancient Aliens co-star David Hatcher Childress’ Adventures Unlimited Press

[CHICAGO — February 18, 2020] Devil’s Due Comics is now taking pre-orders for Volume 1 of ArkWorld, an ambitious series of 48-page prestige-format comic books that fuses science fiction, fantasy, archaeology, and ancient — possibly high-level — technology into a new genre dubbed “archeopunk.” The debut issue will be available in online and physical stores in April, with subsequent issues released every six months.

 

Volume 1 of ArkWorld is available in six collectable covers, including an exclusive cover design from Adventures Unlimited Press (owned by Ancient Aliens co-star David Hatcher Childress). “ArkWorld is an epic adventure set in the present and distant past, which takes the premise that everything we’ve been told about history prior to 5000 BC was wrong,” explains Devil’s Due Comics founder Josh Blaylock. “And while the story gets fantastical, its geography and technology are rooted in actual real-world artifacts and locations.”

 

Arkworld issue 1 variant covers — Image by Devil’s Due Comics (c) 2020 Cover art by Matt Merhoff – featuring Seth Khotep and Cleito Odion — image by Devil’s Due Comics (c) 2020

Nowadays, making money seems to be easier than before. Thanks to the internet and online platforms, you can work as a freelance assistant to an executive in a different continent. This gives everyone, anywhere a chance at making a living from the comfort of their own homes. Fortunately for us, numerous mobile apps that pay their users’ real money are becoming increasingly popular. So, if you are curious to find out how you can join the fun and start making some cash, check the below 2020 apps and take your pick:

1.   Online Casino Games

Is there a more fun way of earning money? The answer is no! Just by registering and finding your favorite game, you can make big wins while enjoying a round of Blackjack or Roulette. The trick indeed is to find a trustworthy app. Players who use slottyvegas.com mobile apps are reassured about the safety of the app since it is a fully licensed and regulated online casino. They also get to experience available games in offline mode without using any real funds, so they can select their favorite game.

2.   Survey Apps

This is one of the easiest ways to make money using mobile apps. Registered businesses will pay you real money just for expressing your opinion about their products. All you have to do is sign up with your personal info, select categories of products you would be interested to review, and you are set! Depending on the time you are willing to spare to take the surveys, you get to decide on your “load of work,” so to speak, every day. Companies will pay you per each submitted survey as per your preferred method of payment.

3.   Cashback Apps

For all the Shopaholics out there, your rather costly habit can finally pay off. By registering on cashback apps you get to earn actual money points when doing your shopping through the app. Cashback apps usually have a huge selection of sellers and retailers, so you will definitely find most, if not all, of your preferred brands. You can shop for clothes, appliances, books, and even groceries through these apps and accumulate points as you go. The great thing is that you get to choose when to cash your points.  This makes it a great way to save up for something that you really want, without feeling the pains of putting aside a lump sum of your actual income.

4.   Photography Apps

If you are an aspiring professional photographer or just enjoy taking photos, photography apps are a great way to earn money doing what you love. All you have to do is download the app and start uploading the photos you take. Registered people and agencies can then buy your photos according to their needs. You will get to split your earnings with the app, but if you think about it, it is still a pretty sweet deal considering the exposure you get for free.

 

 

Making money using mobile apps is an easy and fast way to make money, especially when you are in between jobs or need some extra cash. If you scroll down the applications store, you will surely find an app that is interesting enough for you to download. There is no need to worry about the legitimacy since a few-minute search can give you all the information you need about any app out there.

First Comics News: I myself am a Canadian. Therefore, my first question would be …What is “Oklahoma Today”? Is it a magazine, or a magazine supplement of a major daily broadsheet newspaper?

Arigon Starr: “Oklahoma Today” is a bi-monthly magazine publication from the office of Oklahoma tourism. You can click here to read more about the magazine: oklahomatoday.com

1st: I see that the first Super Indian comics story (in full colour) first ran (I presume) in the magazine ‘Oklahoma Today’, in the July/-August 2019 issue. I’m therefore wondering, how many pages was the Super Indian comics story, IN that issue, in the comics section? I’m asking because one of the Super Indian comics pages runs on page 69 (sixty-nine) of that issue of Oklahoma Today.

Did it run in Oklahoma Today, for more than one issue? In other words, is it an ongoing thing?

Arigon: “Super Indian” wasn’t a part of the eight-page comic story I did for “Oklahoma Today.” That story, “The Policeman” was a comic I wrote and drew, based on a short story I wrote a few years back.

1st: Will Super Indian later be published as either a one-shot stand-alone comic book issue as well, or as a comic book series, or online?

Or, is it just a comics series within the title Oklahoma Today? (Which is fine, too!)

Arigon: “Super Indian” began life as a webcomic, in April 2011. I finally had enough content to publish a full volume (64 full color pages containing three issues) in 2012 as “Super Indian Volume One.” I continued the webcomic as I worked to complete “Super Indian Volume Two,” which was published in 2015. Both books were published by Wacky Productions Unlimited. They’re both available online through our website, or via Amazon in print, and through ComiXology for mobile devices.

“Oklahoma Today” only commissioned me to do the eight-page comic story of “The Policeman,” which is a single, stand-alone story.

For now, the webcomic Super Indian is on a hiatus, until I complete the work on “Super Indian Volume Three.”

1st: I’ve only seen four sample pages of Super Indian, thus far, but from what little I have seen of it, sent to me as a PDF file, it looks intriguing! Can you summarize the plot/story for me a little more in-depth, than from what little I see here, in the four-page comics PDF file? And, not to be taken in any wrong way. As I said, this looks very, very interesting, to me!

Arigon: “Super Indian” is the story of a young Native American boy, Hubert Logan. Hubert ate tainted commodity/government cheese, and he then gained superpowers. The superhero story is definitely played for laughs, but it is also about some hard truths about contemporary Native American life.

“Super Indian” is based on a series of radio plays that were commissioned from the Native Radio Theater Project and Native Voices, at the Autry.

In 2006, both organizations had a funding grant to train Native American radio and theater professionals in creating audio theater projects.

I was part of a group that traveled to West Plains, Missouri for the annual National Audio Theater Festival. The ten-minute pilot episode of “Super Indian” was broadcast live on National Public Radio in the U.S.

The two production companies wanted more episodes of “Super Indian,” so I wrote ten more 5-minute episodes that were compiled into a one-hour radio special that was syndicated across the U.S., by Native Voice One public radio service. Six more scripts were commissioned, but not recorded.

I took those scripts and learned to adapt them for comics, and started the webcomic, first.

“Super Indian” is set on a fictional reservation (Leaning Oak), where Hubert/Super Indian is surrounded by friends and family, who he always defends against evil. Super Indian’s two main enemies are Wampum Baggs, an evil scientist, and Derek Thunder, a young Native man from the same tribe, much like Superman’s foe Lex Luthor.

Super Indian doesn’t battle alone – his sidekicks are his best friend General Bear (who becomes ‘Mega Bear’, with no superpowers), and his dog Diogi (pronounced Dee-OH-gee). Diogi also ate the tainted commodity cheese and has superpowers and superior intellect. The dog can also speak, but only Super Indian can hear him.

1st: How did you happen to come up with the story synopsis for Super Indian, and was Oklahoma Today the first magazine you had submitted it to?

Arigon: As mentioned before, “Super Indian” isn’t connected to “Oklahoma Today” magazine.

1st: The main character in the comics title SuperIndian, a former
police officer named Bucky Lomer, has an incredible secret, one that perhaps he isn’t too anxious to share with anyone (I suspect), especially to a reporter — in this case, a reporter named Peggy Cornell, who I understand is a “Muscogee creative writing coach and sometimes author.”

Another supporting character, I understand, is Rainey Lomer. He’s the nephew of Bucky Lomer, right? What can you tell us about each of these characters?

Arigon: As mentioned before – “The Policeman” contains stand-alone characters that aren’t a part of the Super Indian Universe.

1st: I’m basing my next question – to follow – off of your own surname, Starr. Would I be assuming correctly, that you, yourself, are a First Nations Aboriginal?

And, if so, what can you tell me about that?

By the way, my wife, Sharon, is a First Nations Aboriginal (Canadian) Indian.

Arigon: I’m a Native American/American Indian. I don’t mind either of those terms. My father was a full-blood Kickapoo Indian from Shawnee, Oklahoma. My mother grew up in Tulsa, Oklahoma, and she is a Muscogee-Creek, Cherokee and Seneca Indian. My father was in the military (U.S. Navy), and I grew up all over the US. However, most of my relatives live in Oklahoma, so our family spent a lot of time there, during holidays. I am tribally-enrolled in the Kickapoo Tribe of Oklahoma.

1st: You are a singer and a songwriter, as well as an advocate for Native American comics creators.

ALL of these topics interest me. What can you tell our audience about these things, it sounds fascinating!

Arigon: My first entry into the entertainment business was working behind the scenes at television production companies like Viacom and the cable network, Showtime. I worked in the legal department and the publicity departments, and I learned so much from my bosses, who were generous with their experiences in the business.

When I wasn’t on the job, I was writing songs and performing them in front of small audiences in the coffeehouses of Los Angeles.

At one point, a friend of mine who worked for the Disney Stores asked me to be one of her commissioned artists; she took existing Disney characters from “101 Dalmations,” “Winnie the Pooh” and “Lion King”, and worked them into designs for their tee shirts and denim embroidered shirts, that were then sold in their stores. All I had to do was draw the characters coming out of a pocket design, and fax them to her. This freelance work enabled me to quit my corporate job and become a working artist.

I recorded my first music CD project in 1998. The CD “Meet the Diva” was self-released, and it garnered a lot of radio airplay across the country, generated interest in live performances, and it eventually won a “Best Independent CD” award from the Native American Music Awards.

I continued to record and tour from 1998 through 2004. Another friend in Los Angeles encouraged me to audition for a stage role for a play being produced by a theater company called Native Voices, at the Autry.

The theater company is dedicated to nurturing Native actors, playwrights, and theater professionals. It’s also the only Native theater company in the U.S. that’s a signatory to Actors Equity, the large union that represents professional actors. I auditioned in 2002, but I didn’t actually work in one of the productions, until 2004.

That led to a series of leading roles, then entry into two professional actor’s unions (Actors Equity and Screen Actors Guild), a Hollywood agent – and then, a commission to write a one-woman show.

That play, “The Red Road” was a musical comedy where I played eleven different parts and sang in a variety of characters. The show was about the day a country music superstar comes to Sapulpa, Oklahoma in the 1970s, to tape her 10th anniversary TV show.

The show was well-reviewed in the “Los Angeles Times” and “Daily Variety”; it toured across the U.S. and Australia. The CD soundtrack featured a who’s who of country musicians who usually perform and record with acts like Dolly Parton, Shania Twain, Dwight Yoakam, and Marty Stuart.

As mentioned previously, my association with Native Voices at the Autry led to the commission of the first “Super Indian” script. And that’s how I got into comics.

1st: How long have you been involved in all of that, and how did you get started in these things? Do you play musical instruments, as well? And, if so, which ones? I only sing in the shower, sometimes, and it is probably painful to hear, to
others!

Arigon: I have been writing and performing since I was in my teens. I play guitar and piano, and I sing.

1st: Can you tell us how long you have been an artist, how you got started with
that, and how long you have been at it?

I’m impressed that you both wrote and illustrated this comic. Did you colour it, also? Or if not, who was the colourist? It’s a beautiful-looking package, based on what I’ve seen, thus far! Where did you go to school for art, or are you, like me, self-taught?

Arigon: I’ve been drawing since I could hold a crayon. Both of my parents were very supportive of my artistic skills and bought crayons, pens, paper, paint, canvas, etc. on their very tight budget. I started drawing comics when I was a teen as well. They were mainly just to keep me from being bored in class!

I am a self-taught everything. I taught myself to draw, sing, write and play instruments. I am thankful for my Grandpa in Tulsa, Oklahoma, who took me and my sister to the five and dime store and let us buy comics. My mother and father also loved comics, so they encouraged my work.

I am also a painter, and I love working in acrylics, as well.

When the commission ran out on the “Super Indian” radio project, I was so sad. I loved creating that world, and I wanted to do more with those characters.

I started going to every comic convention I could, and I would chat with folks who had booths set up, and I asked a lot of questions.

Some of the best advice I got was from Richard Starkings and J.G. Roshell of Comicraft, who said, “Don’t think of publishing a book until you’ve built an audience.”

That’s how “Super Indian” was online, first. I originally wrote and drew a 23-page origin story of “Super Indian”, based on my radio script. However, I knew it wasn’t good enough to publish.

I kept drawing, and finally, I found a formula that worked for me.

I was also fortunate to attend one of Brian and Kristy Miller’s comic book coloring workshops at the San Diego ComicCon, plus another one by Brian Haberlin, on digital inks.

Then, I found the book by Freddie E. Williams – and switched my art process, completely to digital.

After I write my comic scripts in Final Draft, I start the thumbnails in Photoshop, then I do the tight pencils and inks. Then, using the Hi-Fi Coloring method, I color my own comics in Photoshop. I also letter my own work in Illustrator, then I import everything into Adobe InDesign, and prep my files for the printer.

I am thrilled to tell folks that JG Roshell is the designer of the “Super Indian” logo. He did such a wonderful job with it. I am proud, every time I see it!

1st: Is Super Indian your first comic’s story? And, if not, what else have you done in that field?

Arigon: “Super Indian” is my first published story. I am also the editor of the award-winning anthology, “Tales of the Mighty Code Talkers, Volume One.” I also wrote, drew, colored, lettered and designed much of the 118-page book, titled “Tales”, which also includes the work of many talented Native American comic writers and artists, including Roy Boney (Cherokee), Johnnie Diacon (Muscogee Creek), Lee Francis IV (Laguna Pueblo), Jonathan Nelson (Navajo), Michael Sheyahshe (Caddo), and many more.

I have also completed a series of comics posters for the Healthy Aboriginal Network in Canada, I’ve been a writer for the first “Moonshot” anthology, an artist for “Native Graphic Classics,” a writer/artist for (the Canadian comic book company) Oni Press’ “Draw the Vote”, and several stories for Pop Culture Classroom in Denver, Colorado.

1st: Is the Super Indian comics story in the July/-August 2019 Oklahoma an ongoing thing, in that magazine? And are comics a feature in every single issue of Oklahoma Today?

Arigon: As mentioned before, “Super Indian” is completely separate from “Oklahoma Today.” “Oklahoma Today” commissions comics every few years. My friend and colleague Roy Boney did a stand-alone 8-page comic for them about three years ago.

1st: I’m also wondering if you happen to know what the circulation numbers are for that magazine?

Arigon: Check the earlier link I provided for “Oklahoma Today.” I think the circulation numbers information is on their website.

1st: Ms. Starr, I was really very, very impressed with your Wikipedia article on the World Wide Web, as I searched there, for still more fascinating information bout you, and your career. Or, should I rather say, your various careers, plural. And therefore, for our readers, here is still more information about Ms. Arigon Starr.
Wikipedia/Arigon Starr

Thank you very much for taking the time in participating in all facets of this interview. It’s been a real pleasure for me! And, I’m sure our readers will find this absolutely fascinating, as well!
Thanks again!

ASH & THORN #2
(W) Mariah McCourt
(A) Soo Lee
Cover: Jill Thompson
Continuing the epic tale of two little old ladies vs. the apocalypse! Now that Lottie has accepted her fate, she has to do what all Champions do: train to stop the demons that threaten to take over the Earth. By Mariah McCourt (True Blood) and Soo Lee (Charlie’s Angels vs. the Bionic Woman), with covers by Jill Thompson (Wonder Woman: True Amazon).
May 13, 2020
$3.99

 

BILLIONAIRE ISLAND #3
(W) Mark Russell
(A) Steve Pugh
Cover: Steve Pugh
The stakes rise in this timely satire by Mark Russell (SECOND COMING, The Wonder Twins) and Steve Pugh (The Flintstones)! A daring escape from the super-rich Billionaire Island leads quickly to a cowardly return. Meanwhile, Trent’s fate rests in the hands of…Business Dog!
May 20, 2020
$3.99

 

DRAGONFLY AND DRAGONFLYMAN: Volume One (tpb)
(W) Tom Peyer
(A) Peter Krause, Russ Braun
(C) Jamal Igle
Now in one dimension-smashing volume! In the darkness of Earth-Omega, THE DRAGONFLY exacts vengeance from sadistic killers and corrupt authorities. On sunlit Earth-Alpha, the upstanding DRAGONFLYMAN fights for justice alongside the police. This prequel to THE WRONG EARTH collects all five issues of DRAGONFLY AND DRAGONFLYMAN plus the 2019 AHOY Free Comic Book Day story.
Written by WRONG EARTH cocreator Tom Peyer, with stunning art by Peter Krause (Irredeemable).
May 27, 2020
144 pp
$16.99 US

 

PENULTIMAN #1
(W) Tom Peyer
(A) Alan Robinson
(C) Alan Robinson
From the pages of the AHOY interactive sensation STEEL CAGE! Penultiman, The Next-To-Last-Stage In Human Evolution, is the greatest, best-looking, and most admired super-hero in the world! So how can he stop hating himself? His android understudy, Antepenultiman, thinks he knows the answer! Created by Tom Peyer (THE WRONG EARTH) and Alan Robinson (PLANET OF THE NERDS).
All AHOY books feature additional prose stores and art.
May 6, 2020
$3.99

Bettie Page: Princess and The Pin-Up TP

writer: David Avallone

artist: Julius Ohta, Jordan Michael Johnson

cover: Scott Chantler

FC  |  132 pages  |  $19.99  |   Action/Adventure  |  Teen+

The brand-new Queen of England has mysteriously vanished, and British Intelligence needs a helping hand from the world’s greatest model spy! Can Bettie the First find Elizabeth the Second before the news gets out and panics all of Great Britain? Are UFOs involved?

David Avallone (Elvira: Mistress of the Dark), Julius Ohta (Sherlock Holmes) & JORDAN MICHAEL JOHNSON show you all the stuff they cut out of the THE CROWN, as Bettie returns in THE PRINCESS AND THE PINUP!

Death to The Army of Darkness #1

writer: Ryan Parrott  |  artist:  Jacob Edgar

covers: Ben Oliver (A), Arthur Suydam (B), Mirka Andolfo (C)

                Sebastian Piriz “Valentine” Variant (D)                                                                 

Mirka Andolfo (RI/BW), Sebastian Piriz (RI/Virgin)

                Mirka Andolfo (RI/BW Virgin), Arthur Suydam (RI/BW)

                Ben Oliver (RI/BW), Icon Edition Cover: J. Scott Campbell (RI)

FC  |  32 pages  |  Comedy/Horror  |  $3.99  |   Teen+ 

An all-new series by RYAN PARROT (Mighty Morphin Power Rangers/TMNT X-Over) and JACOB EDGAR (Red Sonja)! It’s been six months since the events of the Army of Darkness film… Ash is just trying to settle down and get back to his groovy ways. But dammit, DEADITE-POSSESSED strangers keep attacking him at every turn. Why is evil following everywhere he turns, and what happens when an awful splinter spell causes Ash to become… TEAM ASH!?

And, because it’s February, we’re celebrating Valentine’s Day with a special variant by artist Sebastian Piriz!